An excuse for the NYT music critics to choose their essential brazilian songs
https://www.nytimes.com/2016/08/03/arts ... ticle&_r=0
Pixinguinha
‘CARINHOSO’ (1928)
Noel Rosa
‘SÃO COISAS NOSSAS’ (1932)
Carmen Miranda
‘O QUE É QUE A BAIANA TEM’ (1939)
Luiz Gonzaga
‘ASA BRANCA’ (1947)
João Gilberto
‘CHEGA DE SAUDADE’ (1958)
Dorival Caymmi
‘O MAR’ (1959)
Antônio Carlos Jobim
‘A FELICIDADE’ (1959)
Maysa
‘O BARQUINHO’ (1961)
Moacir Santos
‘COISA NO. 5 (NANÃ)’ (1965)
Caetano Veloso
‘TROPICÁLIA’ (1968)
Chico Buarque
‘CONSTRUÇÃO’ (1971)
Gilberto Gil
‘EXPRESSO 2222’ (1972)
Antônio Carlos Jobim
‘MATITA PERÊ’ (1973)
Cartola
‘O MUNDO E UM MOINHO’ (1976)
Jorge Ben
‘XICA DA SILVA’ (1976)
Hermeto Pascoal
‘SLAVES MASS (MISSA DOS ESCRAVOS)’ (1977)
Milton Nascimento
‘MARIA, MARIA’ (1978)
Maria Bethânia
‘MEL’ (1979)
Gonzaguinha
“O QUE É, O QUE É” (1982)
Chico Science
‘MARACATU ATÔMICO’ (1994)
Sepultura
‘ROOTS BLOODY ROOTS’ (1996)
De Falla
‘POPOZUDA ROCK ’N’ ROLL’ (2000)
Deize Tigrona
‘INJEÇÃO’ (2004)
Marisa Monte
‘INFINITO PARTICULAR’ (2006)
Carlinhos Brown
‘MAGALENHA’ (2012)
MC Bin Laden
‘BOLOLO HAHA’ (2014)
MC Pikachu
‘CHOQUE (SEMANA MALUCA)’ (2014)
Elza Soares
‘A MULHER DO FIM DO MUNDO’ (2015)
Ava Rocha
‘BOCA DO CÉU’ (2015)
Trio da Paz
‘SAMPA 67’ (2016)
✅ New York Times: (2016) The Essentials of Brazilian Music for Olympic Listening
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