21st-century electronic music selected discography

underdog
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21st-century electronic music selected discography

Postby underdog » Sat Jul 07, 2018 4:28 pm

Selected discography from the Spanish book "Loops 2: Una historia de la música electrónica en el siglo XXI", by Javier Blánquez (Reservoir Books, 2018).

Playlists can be found on its website: http://www.loopslibro.com/

1. Antes de amanecer: house progresivo, trance y el renacer del súper DJ
Alice Deejay, Who Needs Guitars Anyway? (Republic Records, 2000).
Armin van Buuren, A State of Trance 2005 (Armada, 2005).
ATB, Seven Years 1998-2005 (Kontor Records, 2005).
Deep Dish, Global Underground 021: Moscow (Global Underground, 2001).
Deep Dish, Yoshiesque Two (React, 2001).
Gabriel & Dresden, Gabriel & Dresden (Organized Nature, 2005).
James Holden, «A Break in the Clouds» (Border Community, 2003).
James Holden, Balance 005 (EQ Recordings, 2003).
James Holden, Fear of a Silver Planet (Silver Planet, 2001).
John Creamer & Stephane K, Bedrock (Bedrock, 2002).
John Digweed, Global Underground 019: Los Angeles (Global Underground, 2001).
Leama & Moor, Common Ground (Lost Language, 2006).
Paul van Dyk, Out There and Back (Vandit Records, 2000).
Sasha, Airdrawndagger (BMG UK, 2002).
Sasha, Involver (Global Underground, 2004).
Sasha & John Digweed, Communicate (INCredible, 2000).
Tiësto, Just Be (Magik Muzik, 2004).
Tiësto, Nyana (Black Hole Recordings, 2003).
Tiësto, Parade of the Athletes (Magik Muzik, 2004).
Timo Maas, Loud (Perfecto, 2001).

2. Humanos, pese a todo: electroclash, dance-rock, revival disco y la exhumación de la década de los ochenta
2 Many DJs, As Heard on Radio Soulwax pt. 2 (Pias Recordings, 2002).
Adult., Anxiety Always (Ersatz Audio, 2003).
Daft Punk, Discovery (Virgin, 2001).
Daniel Wang, Best of Balihu 1993-2008 pt. 1 (Rush Hour Recordings, 2009).
Erol Alkan, A Bugged Out Mix / A Bugged In Selection (Resist Music, 2005).
Felix da Housecat, Kittenz and Thee Glitz (City Rockers, 2001).
Fischersponner, #1 (International Deejay Gigolo, 2001).
Girl Talk, Night Ripper (Illegal Art, 2006).
Kylie, Fever (Parlophone, 2001).
LCD Soundsystem, LCD Soundsystem (DFA, 2005).
Madonna, Confessions on a Dancefloor (Warner Bros., 2005).
Metro Area, Metro Area (Environ, 2002).
Miss Kittin & The Hacker, First Album (International Deejay Gigolo, 2001).
Mark E, Mark E Works 2005-2009. Selected Tracks & Edits (Merc, 2010).
Richard X, Presents His X-Factor vol. 1 (Virgin, 2003).
Tiga, Sexor (Pias Recordings, 2005).
The Avalanches, Since I Left You (Modular Recordings, 2000).
Varios, DFA Compilation #1 (DFA, 2003).

3. No te olvides de volver a casa: la expansión digital del techno, de la revolución microscópica del minimal a la conquista de Ibiza
Closer Musik, After Love (Kompakt, 2002).
DJ Koze, Kosi Comes Around (Kompakt, 2005).
Ellen Allien, Thrills (Bpitch Control, 2005).
Isolée, We Are Monster (Playhouse, 2005).
Lawrence, The Absence of Blight (Dial, 2003).
Loco Dice, 7 Dunham Place (Desolat, 2008).
Luomo, The Present Lover (Force Tracks, 2003).
Michael Mayer, Immer (Kompakt, 2002).
Modeselektor, Hello Mom! (Bpitch Control, 2005).
Nathan Fake, «The Sky Was Pink» (Border Community, 2004).
Plastikman, Closer (NovaMute, 2003).
Rex the Dog, The Rex the Dog Show (Hundehaus Records, 2008).
Ricardo Villalobos, «Achso EP» (Cadenza, 2005).
Ricardo Villalobos, Alcachofa (Playhouse, 2003).
Richie Hawtin, DE9. Closer to the Edit (M_nus, 2001).
Sven Väth, In the Mix. The Sound of the Fifth Season (Cocoon, 2004).
Trentemøller, The Last Resort (Poker Flat, 2006).
Varios, Cadenza Contemporary 01 & Cadenza Classics (Cadenza, 2007).
Varios, Schaffelfieber (Kompakt, 2000).
Varios, Superlongevity 3 (Perlon, 2003).

4. Guerreros del dub: el continuum rave en Gran Bretaña, grime, dubstep y la cristalización de un nuevo paradigma rítmico
Burial, Untrue (Hyperdub, 2007).
Digital Mystikz, Return II Space (DMZ, 2010).
Dizzee Rascal, Boy in da Corner (XL Recordings, 2003).
Ed Case, Sound of the Pirates 2 (Locked On, 2001).
GAIKA, SPAGHETTO (Warp, 2016).
Horsepower Productions, In Fine Style (Tempa, 2002).
James Blake, James Blake (Atlas Recordings, 2011).
Kode9 & The Spaceape, Memories of the Future (Hyperdub, 2006).
Mary Anne Hobbs, Warrior Dubz (Planet Mu, 2006).
Mount Kimbie, Crooks & Lovers (Hotflush, 2010).
Shackleton & Appleblim, Soundboy Punishments (Skull Disco, 2007).
Skream, Skream! (Tempa, 2006).
So Solid Crew, They Don’t Know (Independiente, 2001).
The Streets, Original Pirate Material (679 Recordings, 2002).
Wiley, Treddin’ on Thin Ice (XL Recordings, 2004).
Varios, 5 Years of Hyperdub (Hyperdub, 2009).
Varios, Ammunition and Blackdown present, The Roots of Dubstep (Tempa, 2006).
Varios, Grime (Rephlex, 2004).
Varios, Run the Road (679 Recordings, 2005).

5. Cibernética del gueto: R&B, dirty south, trap y la revolución digital en el hip hop
Aaliyah, Aaliyah (Blackground Records, 2001).
Anti-Pop Consortium, Arrhythmia (Warp, 2002).
Bone Crusher, AttenCHUN! (So So Def, 2003).
Cannibal Ox, The Cold Vein (Definitive Jux, 2001).
cLOUDDEAD, cLOUDDEAD (Big Dada, 2001).
David Banner, Mississippi. The Screwed & Chopped Album (Universal, 2003).
El-P, I’ll Sleep When You’re Dead (Definitive Jux, 2007).
Flying Lotus, Los Angeles (Warp, 2008).
Future, DS2 (Epic, 2015).
Gucci Mane, The State vs. Radric Davis (Warner Bros., 2009).
J Dilla, Donuts (Stones Throw, 2006).
Justin Timberlake, Justified (Jive, 2002).
Kanye West, 808s & Heartbreak (Roc-A-Fella, 2008).
Lil’ Jon & The Eastside Boys, Put Yo Hood Up! (TVT Records, 2001).
Lil Wayne, Tha Carter II (Cash Money, 2005).
Ludacris, Word of Mouf (Def Jam South, 2001).
Migos, Culture (Quality Control Music, 2017).
Missy Elliott, Miss E… So Addictive (Elektra, 2001).
Nelly, Nellyville (Fo’Real Entertainment, 2002).
OutKast, Stankonia (LaFace Records, 2000).
Prefuse 73, One Word Extinguisher (Warp, 2003).
T.I., Trap Muzik (Atlantic, 2003).
Ying Yang Twins, Me and My Brother (TVT Records, 2003).

6. El ritmo eterno: la segunda generación del techno inteligente, del revival de Detroit a la diversificación de la IDM
Aardvarck, Cult Copy (Rush Hour, 2005).
AFX, Analord 01-11 (Rephlex, 2005).
Andy Stott, Passed me By / We Stay Together (Modern Love, 2011).
Autechre, Oversteps (Warp, 2010).
Clark, Death Peaks (Warp, 2017).
Claro Intelecto, Neurofibro (Modern Love, 2004).
Deepchord presents Echospace, The Coldest Season (Modern Love, 2007).
Donna Summer, This Needs to be Your Style (Irritant, 2003).
Donnacha Costello, Colorseries (Minimise, 2004-2005).
Drexciya, Journey of the Deep Sea Dweller vols. I-IV (Clone Classic Cuts, 2011-2013).
Kettel, Myam James Part I (Sending Orbs, 2008).
Legowelt, The Teac Life (Legowelt, 2011).
Luke Vibert, YosepH (Warp, 2003).
Matthew Dear, Leave Luck to Heaven (Spectral Sound, 2003).
Newworldaquarium, The Dead Bears (Delsin, 2007).
Omar-S, It Can Be Done but Only I Can Do It (FXHE Records, 2011).
Redshape, The Dance Paradox (Delsin, 2009).
Shed, Shedding the Past (Ostgut Ton, 2008).
The Black Dog, Further Vexations (Soma Quality Recordings, 2009).
The Other People Place, Lifestyles of the Laptop Café (Warp, 2001).
Theo Parrish, American Intelligence (Sound Signature, 2014).
Varios, Altering Illusions (echospace [detroit], 2012).
Venetian Snares, My Downfall (Original Soundtrack) (Planet Mu, 2007).

7. Futuros traicionados: hauntology, vaporwave, nuevos analógicos y otras músicas perseguidas por sus recuerdos
Basinski, William, The Disintegration Loops (2062, 2002).
Boards of Canada, Geogaddi (Warp, 2002).
Bola, Kroungine (Skam, 2007).
Broadcast and The Focus Group, Investigate Witch Cults of the Radio Age (Warp, 2009).
Burial, Burial (Hyperdub, 2006).
Daphne Oram, The Oram Tapes. Volume One (Young Americans, 2011).
Delia Gonzalez & Gavin Russom, The Days of Mars (DFA, 2005).
Emeralds, Does it Look Like I’m Here? (Editions Mego, 2010).
Fuck Buttons, Tarot Sport (ATP Recordings, 2009).
Fuji Grid TV, Prism Genesis (PrismCorp, 2011).
Iasos, Celestial Soul Portrait (Numero Group, 2013).
James Ferraro, Far Side Virtual (Hippos In Tanks, 2011).
Junior Boys, Last Exit (KIN, 2004).
Laurie Spiegel, The Expanding Universe (Unseen Worlds, 2012).
Leyland Kirby, Sadly, the Future is no Longer What it Was (History Always Favours the Winners, 2009).
Moon Wiring Club, Striped Paint for the Last Post (Gecophonic Audio Systems, 2009).
Mordant Music, SyMptoMs (Mordant Music, 2009).
Oneohtrix Point Never, R Plus Seven (Warp, 2013).
Oneohtrix Point Never, Rifts (No Fun Productions, 2009).
Panda Bear, Person Pitch (Paw Tracks, 2007).
Suzanne Ciani, Lixiviation (Ciani/Musica Inc. 1969-1985) (Finders Keepers, 2012).
The Advisory Circle, Other Channels (Ghost Box, 2008).
The Caretaker, An Empty Bliss Beyond This World (History Always Favours the Winners, 2011).

8. Repetición y sentido: escultores de ambientes, guerrilleros del ruido, nuevos contemporáneos y otras escenas experimentales
Alva Noto + Ryuichi Sakamoto, Insen (Raster-Noton, 2005).
Ben Frost, By the Throat (Bedroom Community, 2009).
Björk, Vulnicura (One Little Indian, 2015).
Byetone, Death of a Typographer (Raster-Noton, 2008).
Demdike Stare, Elemental (Modern Love, 2012).
DJ Sprinkles, Midtown 120 Blues (Mule Musiq, 2009).
Eleh, Radiant Intervals (Important Records, 2010).
Fennesz, Venice (Touch, 2004).
Francesco Tristano, Idiosynkrasia (Infiné, 2010).
Gas, Nah und Fern (Kompakt, 2008).
Gas, Narkopop (Kompakt, 2017).
Hans Zimmer, Interstellar (Original Motion Picture Soundtrack) (Sony Classical, 2014).
Holly Herndon, Platform (4AD, 2015).
Mark Fell, Sentielle Objectif Actualité (Editions Mego, 2012).
Max Richter, Sleep (Deutsche Grammophon, 2015).
Pan Sonic, Kesto (234.48:4) (Blast First, 2004).
Raime, Quarter Turns Over a Living Line (Blackest Ever Black, 2012).
Ryoji Ikeda, Dataplex (Raster-Noton, 2005).
Salem, King Night (IAmSound, 2010).
Sunn O))), Black One (Southern Lord, 2005).
Taylor Deupree, Northern (12k, 2006).
Tim Hecker, Ravedeath, 1972 (Kranky, 2011).
Tujiko Noriko, Hard ni Sasete (Make me Hard) (Editions Mego, 2002).

9. Gueto global: mutaciones de la música electrónica en la periferia de Occidente y la proliferación de escenas locales
Acid Arab, Collections (Versatile, 2013).
Buraka Som Sistema, FabricLive 49 (Fabric, 2009).
Daddy Yankee, Barrio Fino (El Cartel Records, 2004).
Deena Abdelwahed, Klabb (Infiné, 2017).
Die Antwoord, $O$ (Rhythm Records, 2009).
Diplo, Favela on Blast (mixtape, 2004).
DJ Mujava, Sgubhu Sa Pitori 3 (Sheer House, 2008).
DJ /rupture, Minesweeper Suite (Tigerbeat6, 2002).
DJ /rupture, Uproot (theAgriculture, 2008).
El Guincho, Alegranza (Discoteca Océano, 2008).
Fatima Al Qadiri, Asiatisch (Hyperdub, 2014).
Konono Nº 1, Congotronics (Crammed Discs, 2004).
Maga Bo, Archipielagoes (Soot Records, 2008).
Maga Bo, Confusion of Tongues (Soot Records, 2007).
Major Lazer, Guns Don’t Kill People… Lazers Do (Mad Dedent, 2009).
M.I.A., Arular (XL Recordings, 2005).
M.I.A., Piracy Funds Terrorism (Volume 1) (mixtape, 2004).
Mutamassik, Masri Mokkassar. Definitive Works (Sound-Ink, 2005).
Nozinja, Nozinja Lodge (Warp, 2015).
Omar Souleyman, Highway to Hassake (Folk and Pop Sounds of Syria) (Sublime Frequencies, 2007).
Playero DJ, Playero 37. Underground (Play Ground, 1992).
Sote, Dastgaah (Dielectric, 2006).
Team Shadetek, Pale Fire (Sound-Ink, 2007).
Varios, Diwali (Greensleeves Records, 2002).
Varios, Shangaan Electro. New Wave Dance Music from South Africa (Honest Jon’s, 2010).

10. Demonios de neón: la escena EDM, entre la resurrección de la cultura rave y la sumisión al mercado del pop
Avicii, True (PRMD, 2013).
Black Eyed Peas, The E.N.D. (Interscope, 2009).
Britney Spears, Blackout (Jive, 2007).
Calvin Harris, Funk Wav Bounces vol. 1 (Columbia, 2017).
Charli XCX, Pop 2 (Asylum Records, 2017).
Daft Punk, Alive 2007 (Virgin, 2007).
David Guetta, One Love (Virgin, 2009).
deadmau5, Random Album Title (Ultra Records, 2008).
Grimes, Visions (4AD, 2011).
Kanye West, Yeezus (Def Jam Recordings, 2013).
Ke$ha, Animal (RCA, 2010).
Martin Garrix, Awesome EDM vol. 2 (Love Da Records, 2014).
Porter Robinson, Worlds (Astrawerks, 2014).
Rihanna, Loud (Def Jam Recordings, 2010).
Robyn, Body Talk (Konichiwa Records, 2010).
Skrillex, Scary Monsters and Nice Sprites (Mau5trap, 2010).
Swedish House Mafia, Until One (Virgin, 2010).
The Knife, Shaking the Habitual (Brille Records, 2013).
Varios, PC Music vols. 1 & 2 (PC Music, 2015-2016).

11. Senderos que se bifurcan: irradiaciones del dubstep en el house y el R&B, y la definición de una nueva cultura de club mayoritaria
Axel Boman, Family Vacation (Studio Barnhus, 2013).
Balam Acab, Wander/Wonder (Tri Angle, 2011).
Booka Shade, Movements (Get Physical, 2006).
Clams Casino, Instrumentals (Type, 2011).
Disclosure, Settle (PMR Recordings, 2013).
DJ Rashad, Double Cup (Hyperdub, 2013).
Drake, Take Care (Cash Money, 2011).
fka twigs, LP1 (Young Turks, 2014).
Ital, Hive Mind (Planet Mu, 2012).
Jackmaster, FabricLive 57 (Fabric, 2011).
Jai Paul, Jai Paul (filtración ilegal, 2013).
J.Lin, Black Origami (Planet Mu 2017).
Kelela, Take me Apart (Warp, 2017).
Kuedo, Severant (Planet Mu, 2011).
Holy Other, Held (Tri Angle, 2012).
Lindstrøm, Wherever You Go I Go Too (Smalltown Supersound, 2008).
Lorde, Melodrama (Republic Records, 2017).
Machinedrum, Many Faces (LuckyMe, 2010).
Roska, Roska (Rinse Recordings, 2010).
Rustie, Glass Swords (Warp, 2011).
The-Dream, Love King (Def Jam Recordings, 2009).
The Weeknd, Trilogy (Universal, 2012).
Traxman, Da Mind of Traxman (Planet Mu, 2012).
Varios, Bangs & Works vol. 1 (Planet Mu, 2010).
Varios, Night Slugs Allstars Volume 1 (Night Slugs, 2010).
Zomby, Dedication (4AD, 2011).

12. El underground es enorme, últimos movimientos en el techno, el noise y otras corrientes abstractas
Actress, Splazsh (Honest Jon’s, 2010).
ANOHNI, Hopelessness (Secretly Canadian, 2016).
Arca, Xen (Mute, 2014).
Floating Points, Elaenia (Pluto, 2015).
Huerco S., For Those of You Who Have Never (and Also Those Who Have) (Proibito, 2016).
Jamie xx, In Colour (Young Turks, 2015).
Kerridge, A Fallen Empire (Downwards, 2013).
Kettenkarussel, Insecurity Guard (Giegling, 2017).
Laurel Halo, Quarantine (Hyperdub, 2012).
Lorenzo Senni, Quantum Jelly (Editions Mego, 2012).
Nicolas Jaar, Sirens (Other People, 2016).
Prince of Denmark, 8 (Forum, 2016).
Sandwell District, Feed-Forward (Sandwell District, 2010).
Surgeon, Breaking the Frame (Dynamic Tension, 2011).
Surgeon, This is for You Shits (Warp, 2007).
Svreca, For Your Eyes Only (Semántica, 2013).
Varios, Diggin in the Carts. A Collection of Pioneering Japanese Video Game Music (Hyperdub, 2017).
Varios, Mono no Aware (PAN, 2017).
Varios, Music for Shut-Ins (L.I.E.S., 2013).
Vatican Shadow, Ornamented Walls (Modern Love, 2012).
Voices From The Lake, Voices from the Lake (Prologue, 2012).
Yves Tumor, Serpent Music, (PAN, 2016).

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