Merry Christmas everybody. As my special gift, please find the All Albums spreadsheet joined, as I'm finally done working on it. Here are the lists I added:
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John M. Borack - Shake Some Action: 200 Greatest Power-Pop Albums (2007)
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Charles Gavin, Tarik de Souza, Carlos Calado and Arthur Dapieve: 300 important albums of Brazilian music (2008)
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Volume: Making Music in Aotearoa (New Zealand) 185 Vinyl Albums 1957-1989 (2016)
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Nick Bollinger: 100 Essential New Zealand Albums (2009) + 10 (2016)
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The Rock FM (NZ) Album Almanac (2017)
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Panamerika - Best Albums of the 2000s (2009)
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XXL - 30 Albums That Will Make You Appreciate Hip-Hop (2016)
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BBC 2 - Classic Albums (1992-2013)
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Thierry Aznar: Hard rock & heavy metal: 40 years of purgatory (2014-2015)
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Stefano Cerati, Daniele Purrone, Andrea Raffaldini, Edoardo Tepes & Nikola Grukevitch: The 100 best NWOBHM albums (2010)
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Stefano Cerati, Niccolò Caroli & Alessio Oriani: The 100 best Thrash albums (2011)
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Cristiano Canali & Gennaro Dileo: The 100 best AOR albums (2013)
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Rock Hard France: The ideal metaltheque Vol. 1 (2017)
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Andrés Torrón (Uruguay): 111 discos uruguayos (2014)
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Rolling Stone: The 25 Greatest Movie Soundtracks of All Time (2013)
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Paste - The 50 Best Movie Soundtracks (2016)
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NME - 61 of the Greatest Film Soundtracks Ever (2016)
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The Sunday Times (UK) - 100 Albums To Love (2017)
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Sputnikmusic - Top 100 albums of 2000-2009
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Q - 476 Modern Classics : The Greatest Albums of the last 30 years (2016) (plus sublists)
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Ultimate Classic Rock - The 10 Best Albums 1981-2008 (plus 40 best albums of 1986)
And
all the Le Mot et le Reste lists, which amount to the following (I've revised lagire's translations of the titles a bit):
- Florent Mazzoleni - Africa 100 - The crossing of a continent through sound (2012)
- Guillaume Kosmicki - Scholar Musics 1882-2015 (2012-2017)
- Philippe Robert - Great Black Music: A journey into 110 essential albums (2008)
- Philippe Thieyre - Blues trip in 150 albums (2011)
- Arnaud Choutet - Country Rock (2014)
- Erwann Pacaud - Easy Listening, Exotica & Other Light Music (2016)
- Olivier Pernot - The essential albums of electronic music (2014)
- Olivier Pernot: French Touch 100 - From Daft Punk to Rone (2017)
- Philippe Robert - Experimental Music: A transversal and non-exhaustive anthology of emblematic recordings (2007)
- Maxime Delcourt - 1967-1981: French Experimental Albums and Songs (2015)
- Alexandre Galand - Field Recording: The sound use of the world in 100 albums (2012)
- Philippe Robert & Bruno Meillier - Folk & renewal: An Anglo-Saxon ride (2011)
- Christophe Brault - Garage Rock: Fuzz, farfisa and distortions (2016)
- Jean-Charles Desgroux - Hair metal (2016)
- Philippe Robert & Jean-Sylvain Cabot - Hard'n'Heavy (2010)
- Jean-Marie Pottier - Indie Pop 1979-1997 (2015)
- Guillaume Belhomme - Jazz in 100 Figures and 100 other figures (2010-2013)
- Franck Médioni - Sounds of Surprise: Jazz in 100 albums (2017)
- Maxime Delcourt - Free Jazz (2015)
- E.Chirache, C.Delbrouck, Y.Jolivet & G.Ruffat: Live - A Rock Story in Public (2011)
- Joseph Ghosn - Selected Discography About Minimalism (2010)
- Sylvain Bertot - Mixtapes: A musical form at the heart of rap (2017)
- David Rassent - Brazilian Popular Musics (2014)
- Philippe Robert - Post-Punk, No Wave, Industrial & Noise: Chronology and crossovers (2011)
- Frédéric Delâge - Prog 100: Progressive rock, from the precursors to the heirs (2014)
- David Rassent - Psychedelic Rock: A journey in 150 Albums (2015)
- Sylvain Bertot - Rap, Hip-Hop: 30 Years in 150 Albums (2013)
- Sylvain Bertot - Independent Rap from the 90's-00's in 100 Albums (2014)
- Mehdi Maizi - French Rap: An Exploration in 100 Albums (2015)
- Florent Mazzoleni - Reggae 100: Musical itinerary around Jamaica (2013)
- Guillaume Ruffat - Musical Revolution 1967-1969 (2008)
- Philippe Robert - Rock, Pop: A bis itinerary in 140 essential albums (2006)
- Steven Jezo-Vannier - Respect Rock for women - Selected Discography (2014)
Now, probably nobody cares, but I'll let anyone interested know that adding the Le Mot et le Reste lists was an extremely tedious, even painful, endeavour. The guys working there, when they're not publishing translated books from other authors, are apparently mega-diggers, reveling in making lists including a lot of limited release stuff, re-releases of obscure/unreleased albums, private pressings, a lot of cassette-only releases and so on. One of the albums I ran across was even limited to 20 copies! How did one end up in the hands of the guy who added the entry to Discogs, and another in the ownership of the author of the corresponding Le Mot et le Reste book? What are the odds? Just imagine an entire school of in-house authors made of Mindrockers and Sonofsamiams, but actually paid for going to such lengths. They seem to make their musical education through the
Nurse with Wound list, using it as a template and expanding from there, special mention for Philippe Robert and his Current 93 obsession. This guy spoiled the Hard'n'Heavy list, turning what should be a celebration of dumb fun in music into a noisefest, and to some extent the Post-punk one, as it turns an already inaccessible style into an impenetrable fortress.
This has two consequences:
1. The notes file for this work is particularly important.
2. I'm extremely disgusted with this exercice right now.
In the general spreadsheet, the lists appear in the order of the tabs in the Le Mot et le Reste spreadsheet. These ones are missing: the Julian Cope krautrock and japrock lists which were already added separately to the spreadsheet, the LP one which is a forgery, and the Playlist one which is a songs list. In that regard, I have to add that there's another songs list under the Garage tab (featured on the right of the albums list, columns F-H), and also that there are several singles featured here and there, identified by lagire and amended by my comments in my Notes file.
I didn't add any of the now deemed eligible genre lists from non-genre sources, as I'm not sure Henrik wants to handle them in the same document, and because they'll probably need to be checked further against other non-eligibility criteria.
Though disgusted, I now feel a sense of accomplishment for having finished this monumental work, like when you defeat that uber-hard secret boss in a video game after weeks of trying different strategies; that was the best Christmas gift I could offer me. Another is to take a break.