Chanson / SynthPop
Album: Pop Satori (RYM: 3.61/5)
Artist Biography by Craig Harris (Allmusic)
Combining West Coast-style surf pop, Velvet Underground-like urban rock, and the romanticism of French singer Françoise Hardy, Algerian-born singer/songwriter Etienne Daho has taken the European rock scene by storm. His albums have consistently qualified for gold or platinum status and his songs have been recorded by such artists as Mercedes Audras and Arnold Turboust. His résumé includes duets with Sarah Cracknell, Elli Medeiros, Lyn Byrd, Astrud Gilberto, and Chris Isaak. In 1989, he participated in an Arthur Baker-produced recording with Al Green and Jimmy Somerville.
The son of a French soldier father and a chemist mother, Daho was raised by grandparents who operated a semi-bar/semi-grocery during the War of Algeria. Recordings of Sylvie Vartan and Françoise Hardy, on a jukebox, inspired Daho to dream of becoming a singer. Settling with his family in Rennes, France, in 1965, Daho continued to broaden his musical scope to include the British rock of the Beatles and the Rolling Stones and the art rock of David Bowie, Roxy Music, and the Velvet Underground. Visiting London for the first time in 1966, he became enamored of the British city's flourishing music scene.
Returning to Rennes, Daho worked as a dormitory monitor at the city's university. When he organized a concert at the school, featuring rock bands Stinky Toys and Marquis de Sade on December 20, 1978, Daho unknowingly took the first steps leading to his career in music. The Stinky Toys' Elli Medeiros and Jacno encouraged him to continue writing and singing, while Marquis de Sade lead guitarist Frank Darcel took him under his wing, helping him to learn the intricacies of musical professionalism. When Daho made his stage debut at the rock festival Transmusicales in June 1979, Darcel and other members of Marquis de Sade accompanied him. After releasing an independent single, "Cowboy," Daho signed with Virgin France. His 1980 debut album, Mythomane, produced by Jacno and featuring Marquis de Sade musicians, was certified gold a decade after its release.
Performing in Rennes clubs with French singer Arnold Turboust, Daho began to attract attention. Receiving some radio airplay with his singles "The Big Sleep" and "To Leave This Evening," he released his second album, La Notte la Notte, featuring the hit single "Weekend in Rome." Although it showed hints of a promising future, its sales paled next to those of Daho's next release, Pour Nos Vies Martiennes, which was certified gold (with sales of more than 100,000 copies) on the day it was released in June 1988. The success continued with 1989's Live ED, which sold more than 250,000 copies.
In 1991 he recorded his fifth album, Paris Ailleurs, a tribute to the Motown and Stax labels. Pre-release orders of the album were so strong that the album was certified gold before it was released and attained platinum status with sales of more than 500,000 copies. Four years later he was on the charts with a cover of Edith Piaf's "Mon Manège a Moi," while the U.K. pop group Saint Etienne were topping the British charts with "He's on the Phone," an English-language cover of "Weekend in Rome." While his 1994 release, Daholympia, sold half as many copies as Paris Ailleurs, Daho regained the momentum of his earlier albums with the release of Eden in 1996. Corps et Armes appeared in 2000 and was followed three years later by Reevolution.
Daho has always sought new avenues for his creativity. He appeared in Olivier Assayas' movie Dirorder, and received a European video award for his 1987 video "Tattoo Shoulder." In addition to writing songs for other artists, Daho has produced recordings for Les Valentins and Sylvie Vartan. He performed in a stage production of Jean Genet's Condemned to Death at the Moliere Theater in Paris. The soundtrack of the production was released in England as The New World. Françoise Hardy has remained a major influence on Daho's music. In 1986, Daho joined with Jerome Soligny to write a biography of the French singer, Superstar and Hermit.
Be bop pieds nus sous la lune, sans foi ni toit ni fortune
Je passe mon temps à faire n'importe quoi
Sur les pistes noires de préférence,
Quand le démon de la danse
Me prend le corps, je fais n'importe quoi, tout va bien
Sur un jerk électronique, se nouent des amours ludiques
Be bop la vie c'est n'importe quoi
C'est la fête, c'est psychadélique, ne demande pas c'que j'fabrique
Je te répondrais n'importe quoi, j'en sais rien.
Dum di da, je m'étourdis, ça ne suffit pas
À m'faire oublier que t'es plus là.
J'ai gardé cette photo sur moi,
ce photomaton que t'aimais pas
Si tu r'viens n'attends pas qu'au bout d'une corde mon corps balance.
Be bop, pieds nus sous la lune, sans foi ni toit ni personne
Je crois bien que j'ferais n'importe quoi
Pour te voir cinq minutes encore à Sables d'or près des dunes
Je te raconterai n'importe quoi, ce sera bien.
Dum di da, je m'étourdis, ça ne suffit pas
À m'faire oublier que t'es plus là
J'ai gardé cette photo sur moi,
ce photomaton que t'aimais pas
Si tu r'viens n'attends pas quque je sois tombé pour la France
Pour te voir cinq minutes encore à Sables d'or prés des dunes
Je te raconterai n'importe quoi, ce sera bien.
Dum di da, je m'étourdis, ça ne suffit pas
À m'faire oublier que t'es plus là
J'ai gardé cette photo sur moi,
ce photomaton que t'aimais pas
Si tu r'viens n'attends pas que je sois tombé pour la France
Fallen For France
Be bop barefoot under the moon, without faith, roof or fortune
I spent my time doing whatever
On black runs*, preferably
When the demon of dance
Takes my body, whatever I do, everything goes well
On an electronic jerk, playful loves are knotted
Be bop, life is whatever
It's a party, it's psychedelic, don't ask what I'm making
I'd reply to you "it's whatever, I don't know anything about it."
Dum di da, I wear myself out, it's not enough
To make me forget that you're no longer here.
I've kept this photo on me,
This photo-booth** picture you didn't like
If you come back, don't wait until my body hangs at the end of a rope.
Be bop, barefoot under the moon, without faith, roof or anyone
I really believe that I'd do whatever
To see you again for five minutes, at Golden Sands near the dunes
I'll tell you whatever, it will be fine.
Dum di da, I wear myself out, it's not enough
To make me forget that you're no longer here.
I've kept this photo on me
This photo-booth** picture you didn't like
If you come back, don't wait until I'll have fallen for France
To see you again for five minutes, at Golden Sands near the dunes
I'll tell you whatever, it will be fine.
Dum di da, I wear myself out, it's not enough
To make me forget that you're no longer here.
I've kept this photo on me
This photo-booth** picture you didn't like
If you come back, don't wait until I'll have fallen for France
Comments by the translator:
*piste noire=a very difficult ski run
**photomaton=a brand (?) of photobooths that are often used to print ID photos, and also a term for the photos you get from them.
n'importe quoi means "anything", but as an exclamation, it 's often used to mean "it's nothing/it's whatever." I've used whatever throughout the translation to preserve the repetition of the original.
Thanks to MaryaSurya on Lyricstranslate.
Tu n'as donc pas encore vu le dernier morceau publié ce matin, il devait bien y passer un jour 
). On rentre dans l'ésotérique ici.