France - One song per day.

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Romain
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Re: France - One song per day.

Post by Romain » Sun Nov 10, 2019 6:45 pm

mileswide wrote:
Sun Nov 10, 2019 12:46 pm
Romain wrote:
Sat Nov 09, 2019 12:18 pm
Songhoy Blues - Bamako - 2017
I've loved this song since I first heard it, one of those you can't stop singing when you start. I'll get round to listening to as many songs on this thread as I can one of these days!
Thanks a lot Mileswide, I feel a little lonely here sometimes (echo echo echo)... but I enjoy doing it, I discover a lot of things like this great band that is Songhoy Blues!

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mileswide
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Re: France - One song per day.

Post by mileswide » Sun Nov 10, 2019 10:36 pm

It does seem like you're un homme-orchestre sometimes ;-) But I reckon I'll start dropping by this thread on the same days I visit Biggest Fan, I could even score the tracks you post if you don't mind?
Starry-eyed and laughing as I recall when we were caught

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Romain
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Re: France - One song per day.

Post by Romain » Mon Nov 11, 2019 7:03 am

mileswide wrote:
Sun Nov 10, 2019 10:36 pm
It does seem like you're un homme-orchestre sometimes ;-) But I reckon I'll start dropping by this thread on the same days I visit Biggest Fan, I could even score the tracks you post if you don't mind?
The thread is free for everyone... but I'm warning you, I try to put as much style as possible and I have put several songs that I totally hate. There are horrors... but you have to show the variety. :D

Anyway, you do what you want to do ;-)

I see you speak a little French, do you understand the lyrics of the songs?

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mileswide
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Re: France - One song per day.

Post by mileswide » Mon Nov 11, 2019 8:50 am

Ben, le malheur des uns fait le bonheur des autres, comme on dit ! There's some stuff I'm sure I'll love that you can't stand-- I know that you aren't particularly into rap, for example. At the same time, I'm less likely to understand rap than any other genre in the language as it's so packed with slang, which wasn't covered in my French classes. I can help with proofreading of any translations if need be though (I mean, I could start with translating Bamako's lyrics)
Last edited by mileswide on Mon Nov 11, 2019 11:41 am, edited 1 time in total.
Starry-eyed and laughing as I recall when we were caught

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Romain
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Re: France - One song per day.

Post by Romain » Mon Nov 11, 2019 10:49 am

mileswide wrote:
Mon Nov 11, 2019 8:50 am
Ben, le malheur des uns fait le malheur des autres, comme on dit ! There's some stuff I'm sure I'll love that you can't stand-- I know that you aren't particularly into rap, for example. At the same time, I'm less likely to understand rap than any other genre in the language as it's so packed with slang, which wasn't covered in my French classes. I can help with proofreading of any translations if need be though (I mean, I could start with translating Bamako's lyrics)
Je pense plutôt qu'il fait "le bonheur des autres"... héhéhé !

Rap is not the badest :-) I think more about some bad 80's hit, already horrible for the time but which are still very popular at weddings or popular celebrations... and that everyone knows in France.

And for translations, there are still some missing. I don't want to force you into anything. Only do it if you really want to. Otherwise, as soon as I can, I go through LyricsTranslate. :)

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Romain
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Re: France - One song per day.

Post by Romain » Mon Nov 11, 2019 11:08 am

Page 36 Léonin - Viderunt Omnes - 1160 - Classical
Page 9 Adam De La Halle - Jeu de Robin et Marion - 1282 or 1283 - Classical
Page 23 Philippe De Vitry - In Arboris - 1320 - Classical
Page 25 Josquin des Prez - Ave Maria ... Virgo serena - 1485 - Classical
Page 27 Clément Janequin - Le chant des Oyseaulx - 1537 - Classical
Page 35 Nicolas Gombert - In Te Domine Speravi - Motet à six voix - 1539 - Classical
Page 16 Jean-Baptiste Lully - Marche pour la cérémonie des turcs - 1670 - Classical
Page 14 Marc-Antoine Charpentier - Te Deum - 1688/1698 - Classical
Page 29 Michel Richard Delalande - Simphonies pour le Soupers du Roy - Concert de trompettes - 1703 - Classical
Page 32 Jean-Philippe Rameau - Rondeau des Indes galantes (Les sauvages) - 1735 - Classical
Page 16 Claude Joseph Rouget De Lisle - Chant de Guerre pour l'Armée du Rhin ou La Marseillaise - 1792
Page 25 Hector Berlioz - Symphonie Fantastique - Marche au supplice - 1830 - Classical
Page 26 Unknown - Les anges dans nos campagnes - before 1846 - Classical
Page 11 Adolphe Adam - Minuit, chrétiens - 1847 - Classical
Page 33 Charles Gounoud - Ave Maria - 1853 - Classical
Page 5 Édouard-Léon Scott de Martinville - Au clair de la lune - First recorded song - 1860
Page 34 Jean-Romain Grosjean - Il est né le divin enfant - 1862
Page 1 Georges Bizet - Le pêcheur de perles - Je crois entendre encore - 1863 - Classical
Page 27 Jean-Baptiste Clément / Antoine Renard - Le temps des cerises - 1866
Page 30 Louis Théodore Gouvy - Requiem op.70 - 1874 - Classical
Page 38 Edouard Lalo - Symphonie Espagnole - Cinquième Mouvement : Rondo - 1874 - Classical
Page 4 Camille Saint-Saëns - Danse Macabre op 40 - 1874 - Classical
Page 39 Gabriel Pierné - Sérénade op.7 - 1879 - Classical
Page 20 Charles-Marie Widor - Symphonie pour orgue n°5 - Toccata - 1879 - Classical
Page 6 Gabriel Fauré - Élégie pour violoncelle et piano, op 24 - 1880 - Classical
Page 7 Jacques Offenbach - Les contes d'Hoffmann - Belle nuit, ô nuit d'amour - 1881 - Classical
Page 11 Léo Delibes - Lakmé - Duo des fleurs - 1883 - Classical
Page 19 Emmanuel Chabrier - España - 1883 - Classical
Page 30 Yvette Guilbert - Le fiacre - 1888
Page 3 Erik Satie - Gymnopédie n°3 - 1888 - Classical
Page 18 Vincent D'Indy - Tableaux de voyage op.33 - Le Glas - 1889 - Classical
Page 35 Erik Satie - Gnossienne n°1 - 1890 - Classical
Page 13 Ernest Chausson - Concert pour violon, piano et quatuor à cordes en Ré majeur op.21 - Sicilienne - 1892 - Classical
Page 37 Claude Debussy - Prélude à l'après-midi d'un faune - 1894 - Classical
Page 4 Paul Dukas - L'apprenti sorcier - 1897 - Classical
Page 34 Louis Vierne - Messe solennelle - 1900- Classical
Page 19 Mado Robin - Frou-Frou - 1897
Page 23 Félix Mayol - Viens, Poupoule ! - 1902
Page 28 Jules Massenet - Thaïs - Méditation - 1903 - Classical
Page 3 Claude Debussy - Suite Bergamasque - Clair de lune - 1905 - Classical
Page 28 Bach - La caissière du Grand Café - 1914
Page 13 Mistinguett - Mon Homme - 1916
Page 22 Lili Boulanger - Vieille prière bouddhique - 1917 - Classical
Page 10 Léo Daniderff - Je cherche après Titine - 1917
Page 31 Louis Lynel - Nuit de Chine - 1922
Page 22 Arthur Honegger - Pacific 231 - 1923 - Classical
Page 8 Darius Milhaud - La Création du monde op.81 - 1923 - Classical
Page 26 Charles Koechlin - Vers la voûte étoilée op. 129 - 1923-33 - Classical
Page 9 Berthe Sylva - Les roses blanches - 1925
Page 37 Yvonne George - J'ai pas su y faire ! - 1925
Page 17 Jean Cras - Journal de Bord - 1927 - Partie III : Quart de 4 à 8 - Classical
Page 2 Maurice Ravel - Boléro - 1928 - Classical
Page 25 Georges Milton - Pouet Pouet - 1929
Page 7 Joséphine Baker - J'ai deux amours - 1930 
Page 3 Lucienne Boyer - Parlez-moi d'amour - 1930
Page 14 Louis Lynel - Ma Normandie - 1930
Page 31 Henri Garat - Avoir un bon copain - 1931
Page 33 Reda Caire -Auprès de ma blonde - 1933
Page 23 Pauline Carton - Sous les palétuviers - 1934
Page 24 Damia - La guinguette a fermé ses volets - 1934
Page 1 Gaston Ouvrard - Je ne suis pas bien portant - 1934
Page 18 Alibert - Le plus beau tango du monde - 1935
Page 37 Raymond Ventura - Tout va très bien madame la marquise - 1935
Page 26 Marie Dubas - Le tango stupéfiant - 1936
Page 27 Jean Gabin - Quand on s'promène au bord de l'eau - 1936
Page 21 Henry Garat - C'est un mauvais garçon - 1936
Page 6 Olivier Messiaen - Fête des belles eaux - 1937 - Classical
Page 3 Django Reinhardt and Stéphane Grappelli - Minor Swing - 1937 - Jazz
Page 8 Ray Ventura - Qu'est-ce qu'on attend pour être heureux ? - 1937
Page 12 Fréhel - La Java Bleue - 1938
Page 26 Johnny Hess - Je suis swing - 1938 - Jazz
Page 18 Rina Ketty - J'attendrai - 1938
Page 2 Mireille et Jean Sablon - Puisque vous partez en voyage - 1938
Page 17 Fernandel - Félicie aussi ! - 1939
Page 35 Fréhel - La java bleue - 1939
Page 21 Jean Lumière - La valse au village - 1939
Page 31 Albert Préjean - Amusez-vous ! - 1939
Page 18 GusViseur - Flambée Montalbanaise - 1940 - Jazz
Page 34 Django Reinhart - Nuages - 1940 - Jazz
Page 14 Léo Marjane - Je suis seule ce soir - 1941
Page 12 Anna Marly - Le chant des partisans - 1941
Page 28 Marie Bizet - Rythme et swing - 1942
Page 3 Lucienne Delyle - Mon amant de Saint-Jean - 1942
Page 2 Charles Trenet - Que Reste-t'il de nos amours ? - 1942
Page 20 Lina Margy - Ah ! Le petit vin blanc - 1943
Page 12 Anna Marly - La complainte du partisan - 1943
Page 4 Yves Montand - Les Feuilles Mortes - 1945
Page 8 Luis Mariano - La Belle de Cadix - 1945
Page 38 Lina Margy - Voulez-vous danser grand-mère ? - 1946
Page 29 Colette Mars - Le vent emporte ma chanson - 1946
Page 18 Tino Rossi - Petit papa Noël - 1946
Page 23 Fernand Sardou - Aujourd'hui peut-être - 1946
Page 35 Charles Trenet - La mer - 1946
Page 19 Henri Betti - C'est si bon - 1947
Page 29 Pierre Dudan - Clopin-Clopant - 1947
Page 14 Line Renaud - Ma cabane au Canada - 1947
Page 27 Jacqueline François - Mademoiselle de Paris - 1948
Page 24 Pierre Schaeffer - Cinq Etudes de bruits - 1948 - Classical & Electro
Page 12 Francis Lemarque - À Paris - 1949
Page 24 Francis Lemarque - Bal, petit bal - 1949
Page 33 Edith Piaf - Hymne à l'amour - 1949

Page 22 André Claveau - Domino - 1950
Page 3 Henri Salvador - Le loup, la biche et le chevalier (une chanson douce) - 1950
Page 11 Jean Bretonnière - Sous le ciel de Paris - 1951
Page 17 Mick Micheyl - Un gamin de Paris -1951
Page 39 Yves Montand - Les grands boulevards - 1951
Page 25 Marcel Mouloudji - Comme un p'tit coquelicot - 1951
Page 1 Brassens & Patachou - Maman, papa - 1952
Page 14 Georges Guetary - La route Fleurie - 1952
Page 33 Georges Brassens - La marine - 1953
Page 7 Maurice Chevalier - Dans la vie faut pas s'en faire - 1953
Page 13 Alain Romans - Quel temps fait-il à Paris - 1953 - OST & Jazz
Page 30 Marcel Landowski - Concerto pour ondes Martenot orchestre à cordes et percussions - 1954 - Classical
Page 13 Cora Vaucaire - La Complainte de la Butte - 1955
Page 9 Boris Vian - Je Bois - 1955
Page 17 René-Louis Lafforgue - Le poseur de rails - 1956
Page 1 Magali Noël - Fais-moi mal, Johnny - 1956
Page 25 Léo Arnaud - Bugler's Dream - 1958 - Classical
Page 36 Bourvil - La ballade Irlandaise - 1958
Page 19 Guy Béart - L'eau vive - 1958
Page 15 Anny Flore - Julie la rousse - 1958
Page 7 Jacques Brel - Ne me quitte pas - 1959
Page 21 Philippe Clay - L'accordéon - 1959
Page 28 André Dassary - Adieu tristesse - 1959
Page 20 Roger Guérin - Discord - 1959 - Jazz
Page 22 Darío Moreno - Tout l'amour - 1959
Page 25 Georgette Plana - L'hirondelle du faubourg - 1959
Page 37 Simone Sandry - Les belles amourettes - 1959
Page 25 Michel Simon - Mémère - 1959

Page 1 Bourvil - C'était bien (au petit bal perdu) - 1960
Page 35 René Leibowitz - Marijuana, variations non sérieuses, Op. 54 - 1960 - Classical
Page 4 Juliette Gréco - Il n'y a plus d'après - 1960
Page 13 Gilian Hills - Zou bisou bisou - 1960
Page 23 André Hodeir - Jazz et Jazz - 1960 - Jazz
Page 6 Edith Piaf - Non, je ne regrette rien - 1960 
Page 29 Paul Blamar - Moin çé on maléré - 1961
Page 15 Les Double Six - Tickle Toe (Le racket et les balles) - 1961 - Jazz
Page 11 Zizi Jeanmaire - Mon truc en plumes - 1961
Page 39 Franck Pourcel - Chariot - 1961
Page 14 Marcel Amont - Un Mexicain - 1962
Page 18 Isabelle Aubret - Un premier amour - 1962
Page 36 Gilbert Bécaud - Et maintenant - 1962
Page 24 Leny Escudero - Pour une amourette - 1962
Page 27 Les Fantômes - Cafards - 1962
Page 12 Maurice Jarre - Lawrence of Arabia - 1962 - OST
Page 19 Michel Magne - Mélodie en sous-sol - Palm Beach thème - 1962 - OST & Jazz
Page 35 Claude Nougaro - Le cinéma - 1962
Page 10 Francis Poulenc - Sonate pour clarinette, 2ème mouvement : Romanza - 1962 - Classical
Page 38 Henri Salvador - Syracuse - 1962
Page 4 Salvatore Adamo - Tombe la neige - 1963
Page 9 Alain Barrière - Elle était si jolie - 1963
Page 21 Patricia Carli - Demain, tu te maries - 1963
Page 6 Georges Delerue - Le Mépris - Camille - 1963 - OST
Page 24 Colette Dereal - La valse folle - 1963
Page 26 Alice Dona - C'est pas prudent - 1963
Page 22 Colette Magny - Melocoton - 1963
Page 20 Les Mustangs - Drums - 1963
Page 9 Claude Nougaro - Cécile ma fille - 1963 
Page 11 Colette Renard - Les nuits d'une demoiselle - 1963
Page 9 Sheila - L'école est finie - 1963 
Page 7 Soeur Sourire - Dominique - 1963
Page 23 Hélène April - Je m'ennuie - 1964
Page 34 Charles Aznavour - Hier encore - 1964
Page 2 Gilbert Bécaud - Nathalie - 1964
Page 33 Jacques Brel - Amsterdam - 1964
Page 20 Annie Cordy - Six roses - 1964
Page 12 Henri Dutilleux - Métaboles - 1964 - Classical
Page 4 Jean Ferrat - Que serais-je sans toi ? - 1964
Page 2 France Gall - Laisse tomber les filles - 1964
Page 32 Les Gam's - L'été reviendra - 1964
Page 34 Geneviève Grad - Douliou douliou Saint-Tropez - 1964
Page 36 Françoise Hardy - Mon amie la rose - 1964
Page 2 Françoise Hardy - La Nuit Est Sur La Ville - 1964
Page 34 Michel Legrand - Les parapluies de Cherbourg - Je ne pourrai jamais vivre sans toi - 1964 - OST
Page 30 Félix Marten - T'es moche - 1964
Page 3 Les Parisiennes - Il fait trop beau pour travailler - 1964
Page 25 Rachel - Le chant de mallory - 1964
Page 34 Sylvie Vartan - La plus belle pour aller danser - 1964
Page 29 François Deguelt - Le ciel, le soleil et la mer - 1965
Page 8 Antoine Duhamel - Pierrot Le Fou - Ferdinand - 1965 - OST
Page 22 Gribouille - Mathias - 1965
Page 19 Chantal Kelly - Mon ami, mon chien - 1965
Page 27 Marjorie Noël - Dans le même wagon - 1965
Page 10 Les Problèmes - Non, je ne vois rien - 1965
Page 15 Annie Philippe - Tout finit à St. Tropez - 1965
Page 4 Régine - Les P'tits papiers - 1965
Page 5 Hervé Vilard - Capri, c'est fini - 1965
Page 5 Antoine - Les élucubrations - 1966
Page 24 Adèle - Je ne veux plus d'accordéon - 1966
Page 8 Michèle Arnaud - les papillons Noirs - 1966
Page 4 Hugues Aufray - Céline - 1966
Page 25 Pierre Barouh - A l'ombre de nous - 1966
Page 26 Les Bowlers - Il est trop tard - 1966
Page 39 Petula Clark - La gadoue - 1966
Page 29 Cléo - Et moi, et toi, et soie - 1966
Page 5 Pascal Danel - Les neiges du Kilimanjaro - 1966
Page 15 Chantal Goya - Si tu gagnes au flipper - 1966
Page 9 Francis Lai - Un homme et une femme - 1966 - OST 
Page 10 Les 5 Gentlemen - Si tu reviens chez moi - 1966
Page 14 Les Pros - Drugstore Midnight - 1966
Page 15 Long Chris - Névralgie Particulière - 1966
Page 3 Mireille Mathieu - Paris en colère - 1966
Page 16 Gilbert Safrani - Les gens s'en vont dans le ciel - 1966
Page 24 Structures Sonores Lasry-Baschet - Manège - 1966 - Classical
Page 25 Les Troubadours - La ballade Polly Maggoo - 1966
Page 14 Zouzou - Il est parti comme il est venu - 1966
Page 10 Charles Aznavour - Emmenez-moi - 1967
Page 1 Brigitte Bardot - Harley Davidson - 1967
Page 22 Clothilde - Saperlipopette - 1967
Page 28 Évariste - Les pommes de lune - 1967
Page 35 Juliette Greco - Déshabillez-moi - 1967
Page 2 Pierre Henry - Psyché Rock - 1967 - Classical & Electro
Page 16 Marie Laforêt - Mon amour, mon ami - 1967
Page 14 Christie Laume - Rouge Rouge - 1967
Page 30 Michel Legrand - Les demoiselles de Rochefort - Thème d'Andy - 1967 - OST
Page 38 Les fleurs de pavot - pourquoi l'amour à deux - 1967
Page 32 Charlotte Leslie - Les filles, c'est fait pour faire l'amour - 1967
Page 16 Christine Pilzer - Ah-Hem-Ho-Uh-Err - 1967
Page 21 Guy Skornik - Fire - 1967
Page 4 Stella - Si vous connaissez quelque-chose de pire qu'un vampire, parlez m'en toujours, ça pourra peut-être me faire sourire - 1967
Page 7 Jacqueline Taïeb - 7 heures du matin - 1967
Page 10 Dominique Walter - Les petits boudins - 1967
Page 28 Arlette Zola - Deux garçons pour une fille - 1967
Page 2 Barbara - Du bout des lèvres - 1968
Page 18 Barbara - Mon enfance - 1968
Page 23 Richard de Bordeaux & Daniel Beretta - La drogue - 1968
Page 33 Georges Chelon - Nous on s'aime - 1968
Page 1 Jacques Dutronc - Proverbes - 1968
Page 34 Jacques Dutronc - Il est cinq heures, Paris s'éveille - 1968
Page 37 Brigitte Fontaine - Il pleut - 1968
Page 4 Claude François - Comme d'habitude - 1968
Page 33 Serge Gainsbourg et Brigitte Bardot - Bonnie & Clyde - 1968
Page 35 Serge Gainsbourg - Requiem pour un con - 1968
Page 8 Les Goths - Turn Over - 1968
Page 18 Sophie Makhno - Obsessions 68 - 1968
Page 5 Jean-François Michael - Adieu, jolie Candy - 1968
Page 33 The piranha' sounds - La turbie piranhienne - 1968
Page 1 Michel Polnareff - Le bal des Laze - 1968
Page 21 Jean-Claude Risset - Computer suite for little boy - 1968 - Classical
Page 21 Victoire Scott - Quatrième Dimension - 1968
Page 18 Patrick Abrial - Fétiche - 1969
Page 18 Alec - L'étranger - 1969
Page 31 Les Apollos & la Danse Cosmique - Cosmonautic Blues - 1969
Page 13 Ronnie Bird - Sad Soul - 1969
Page 19 Jacques Charpentier - Pour le Kama Soutra - 1969 - Classical
Page 30 Le cœur - Un soleil assis dans la neige - 1969
Page 11 Pierre-Alain Dahan - Slowrama - 1969
Page 11 Mireille Darc - Hélicoptère - 1969
Page 20 Eric Demarsan - L'armée des ombres - Thème de Gerbier - 1969 - OST
Page 29 Dickens - Génocide - 1969
Page 19 Docdaïl - Aere Perennius - 1969
Page 31 Pierre Dutour - Tracking - 1969
Page 39 Léo Ferré - C'est extra - 1969
Page 3 Serge Gainsbourg - Je t'aime... moi non plus ! - 1969
Page 32 Les Landles - Le monde est mort - 1969
Page 35 Boby Lapointe - Je suis né au Chili - 1969
Page 34 Jean-Pierre Lugan - Le petit proton soviétique - 1969
Page 19 Le Système Crapoutchik - L'horrible rêve - 1969
Page 22 Georges Garvarentz - Le temps des loups - OST - 1969
Page 6 Michel Legrand - Les moulins de mon coeur - 1969
Page 27 Michèle Mercier - Six-Huit - 1969
Page 9 Jean-Pierre Mirouze - Sexopolis - Thème - 1969 - OST
Page 4 Georges Moustaki - Le Métèque - 1969
Page 18 Jean-Claude Oliver - L'invité - 1969
Page 16 Roland Vincent - L.S.D. partie - 1969

Pagr 26 Ame Son - A coup de hache - 1970 - Jazz
Page 21 Jack Arel - Picture of Spring - 1970
Page 15 Baroque Jazz Trio - Zoma - 1970 - Jazz
Page 39 François Béranger - Tranche de vie - 1970
Page 31 Big Jullien and His All Star - Wake the monster - 1970 -Jazz
Page 14 Claude Bolling - Borsalino - Thème - 1970 - OST
Page 7 François De Roubaix - Dernier Domicile Connu - 1970 - OST
Page 20 Jean-Pierre Ferland - Le chat du café des artistes - 1970
Page 37 Luc Ferrari - Presque rien n°1 (Le lever du jour au bord de la mer) - 1970 - Classical
Page 3 Jean-Jacques Perrey - E.V.A. - 1970 - Electro
Page 1 Boby Lapointe - Méli-Mélodie - 1970
Page 34 Philippe Sarde - Les choses de la vie - Thème - 1970 - OST
Page 32 Christine Sèvres - Tu es venu - 1970
Page 34 Stellius - What I'd like - 1970
Page 17 Triangle - Peut-être demain ? - 1970
Page 28 Michel Ypar - Encore - 1970
Page 9 Zanini - Tu veux ou tu veux pas ? - 1970
Page 27 Berenice - Alors Dieu châtia l'Homme - 1971
Page 3 Julien Clerc - Ce n'est rien - 1971
Page 8 Michel Delpech - Pour Un Flirt - 1971
Page 2 Léo Ferré - Avec le temps - 1971
Page 39 Gong - Fohat digs holes in space - 1971
Page 32 Léonie - En Alabama - 1971
Page 14 Danyel Gérard - Butterfly - 1971
Page 9 Les Poppys - Non, non, rien n'a changé - 1971
Page 23 Raymond Lefèvre - JO - Générique - 1971 - OST
Page 28 Gilbert Montagné - The Fool - 1971
Page 2 Nicoletta - Mamy Blue - 1971
Page 2 Michel Polnareff - Qui A Tué Grand' Maman - 1971
Page 22 Tac Poum Système - Asmodaï - 1971
Page 31 Yan Tregger - Sun Adoration - 1971
Page 36 Daniel Vangarde (Yamasuki) - AIEAOA - 1971
Page 23 Igor Wakhevitch - Materia Prima - 1971
Page 9 Dominique Blanc-Francard - Ailleurs/Icare - 1972
Page 20 Charles Dumont - Comme une fugue de Bach - 1972
Page 6 Michel Fugain - Une belle histoire - 1972
Page The Moving Gelatine Plates - The world of genius Hans – 1972
Page 31 Jane et Julie - Notre homme à moi - 1972
Page 3 Maxime Le Forestier - San Fransisco - 1972
Page 38 Maxime Le Forestier - Mon frère - 1972
Page 27 Philippe Nicaud - C'ex - 1972
Page 3 Les variations - Je suis juste un rock'n'roller - 1972
Page 20 Catherine Ribeiro + Alpes - Paix - 1972
Page 13 Véronique Sanson - Amoureuse - 1972 
Page 36 Véronique Sanson - Besoin de personne - 1972
Page 22 Ann Sorel - L'amour à plusieurs - 1972
Page 3 Jean-Claude Vannier - Les gardes volent au secours du roi - 1972
Page 8 Philippe Besombes - La ville - 1973
Page 17 Vladimir Cosma - L'Affaire Crazy Capo - 1973 - OST
Page 7 Diane Dufresne - J'ai Rencontré L'homme De Ma Vie - 1973
Page 25 Les Frères Jacques - La confiture - 1973
Page 2 Alain Goraguer - La Planète Sauvage - 1973 - OST & Electro
Page 22 Pierre Groscolas - Lady Lay - 1973
Page 14 Lafayette Afro Rock Band - Hihache - 1973
Page 39 Marie Laforêt - Viens, viens - 1973
Page 15 Serge Lama - Je suis malade - 1973
Page 2 Magma - Mekanïk Destruktïw Kommandöh - 1973/1989
Page 24 Tonio Rubio - Bass in action n°2 - 1973
Page 13 Stone et Charden - Made in Normandie - 1973
Page 11 The Peppers - Pepper Box - 1973 - Electro
Page 37 Pierre Bachelet - Emmanuelle - 1974 - OST
Page 37 Ange - Exode - 1974
Page 6 Areski Belkacem - C'est normal - 1974
Page 35 Bimbo Jet - El Bimbo - 1974
Page 2 Christophe - Les Mots Bleus - 1974 
Page 24 Marcel Dadi - Le derviche tourneur - 1974
Page 3 Dalida - Il venait d'avoir 18 ans - 1974
Page 26 Bernard Estardy - Gang Train - 1974
Page 1 Nino Ferrer - Le sud - 1974
Page 3 Daniel Guichard - Mon vieux - 1974
Page 20 Jean-Claude Pelletier - Hello Streakers! - 1974
Page 33 Atoll - L'araignée-Mal - 1975
Page 20 Joe Dassin - L'été indien - 1975
Page 39 Joe Dassin - Et si tu n'existais pas - 1975
Page 18 Cortex - La rue - 1975 - Jazz
Page 36 Bernard Fèvre - Molecule Dance - 1975 - Electro
Page 17 Gérard Grisey - Partiels - 1975 - Classical
Page 18 Harlem pop Trotters - Penwick - 1975
Page 20 Il était une fois - J'ai encore rêvé d'elle - 1975
Page 29 Teddy Lasry - Los Angeles - 1975
Page 13 Gérard Lenorman - La Ballade des gens heureux - 1975
Page 3 Gérard Manset - Il voyage en solitaire - 1975
Page 1 Jeanne Moreau - India Song - 1975
Page 11 Janko Nilovic - Drug Song - 1975
Page 36 Nicolas Peyrac - So far away from L.A. - 1975
Page 35 Nicolas Peyrac - Et mon père - 1975
Page 20 Pulsar - Pollen - 1975 - Electro
Page 8 Resonance - OK Chicago - 1975
Page 38 Philippe Sarde - Adieu Poulet - Générique de fin - 1975 - OST
Page 6 Jean Yanne - Chobizeness - Coït - 1975 - OST
Page 3 Jane Birkin - Ballade de Johnny Jane - 1976
Page 32 Cerrone - Love in C Minor - 1976
Page 24 Richard Clayderman - Ballade Pour Adeline - 1976
Page 4 Jean-Michel Jarre - Oxygène Part IV - 1976 - Electro
Page 16 Michel Colombier - L'Alpagueur - Main Theme - 1976 - OST
Page 30 Dick Rivers - Faire un pont - 1976
Page 3 Philippe Sarde - Le locataire - Main theme - 1976 - OST
Page 13 The Droids - The Force - 1976 - Electro
Page 10 Wapassou - Messe en ré mineur - 1976
Page 23 Cerrone - Supernature - 1977
Page 6 Philippe Chatel - J't'aime bien Lili - 1977
Page 12 Yves Duteil - Prendre un enfant - 1977
Page 7 Little Bob Story - Riot in Toulouse - 1977
Page 28 Moon Birds - Cristal N°3 - 1977
Page 5 Marie Myriam - L'enfant et l'oiseau - 1977
Page 7 Plastic Bertrand - Ça plane pour moi - 1977
Page 39 Pierre Perret - Lily - 1977
Page 9 Jean-Luc Ponty - Mirage - 1977 - Jazz
Page 11 Zachary Richard - Travailler, c'est trop dur - 1977
Page 23 Yves Simon - Diabolo Menthe - 1977
Page 3 SpAce - Magic Fly - 1977 - Electro
Page 9 Space Art - Onyx - 1977 - Electro
Page 16 A 3 Dans les WC - Contagion - 1978
Page 15 Black Devil - H-Friend - 1978 - Electro
Page 31 Bulldozer - J'suis punk - 1978
Page 12 Louis Chédid - T'as beau pas être beau - 1978
Page 36 Claude François - Alexandrie Alexandre - 1978
Page 37 Jean-Michel Jarre - Equinoxe 5 - 1978 - Electronique
Page 36 Mama Béa Tekieelski - Ballade pour un bébé robot - 1978
Page 16 Marie et les Garçons - Re-Bop - 1978
Page 8 Métal Urbain - Paris Maquis - 1978
Page 38 Frédéric Mercier - Spirit - 1978 - Electronic music
Page 12 Michel Sardou - Je vole - 1978
Page 28 Richard Vimal - Migrations - 1978
Page 30 Jean-Pierre Alarcen - Premier mouvement - 1979
Page 13 Cabrel - Je l'aime à mourir - 1979
Page 5 Jean-Patrick Capdevielle - Quand t'es dans le désert - 1979
Page 21 Eric Charden - L'été sera chaud - 1979
Page 16 Joël Fajerman - Flowers Love - 1979 - Electro & OST
Page 31 Philippe Guerre - Marche Blues - 1979 - Electro
Page 5 Patrick Hernandez - Born to be alive - 1979
Page 11 Jacques Higelin - Champagne - 1979
Page 29 Lio - Le Banana Split - 1979
Page 18 Lizzy Mercier Descloux - Fire - 1979
Page 25 Les Olivensteins - Euthanasie - 1979
Page 12 Jacques Loussier - Pulsion - 1979 - Jazz
Page 31 Chris O'Hara - Sur les coussins de la discothèque - 1979
Page 1 Pierre Perret - Mon P'tit Loup - 1979
Page 31 Sheila B. Devotion - Spacer - 1979
Page 16 Stinky Toys - Birthday Party - 1979

Page 18 Abus Dangereux - Le Roy est Mort, Vive le Roy - 1980
Page 24 Cha Cha Guitri - 1981
Page 10 Elli & Jacno - Main dans la main - 1980
Page 31 Eskaton - Dagon - 1980
Page 6 Le Grand Orchestre du Splendid - La Salsa du démon - 1980
Page 38 Les Misérables - À la volonté du peuple - 1980
Page 8 Mathématiques Modernes - Disco Rough - 1980
Page 9 Modern Guy - Electrique Sylvie - 1980
Page 15 Tristan Murail - Gondwana - 1980 - Classical & Electro
Page 34 Nini Raviolette - Suis-je normale ? - 1980
Page 12 Ottawan - T'es OK - 1980
Page 15 Suicide Roméo - Suicide Roméo - 1980
Page 1 Taxi Girl - Cherchez le garçon - 1980
Page 2 Trust - Antisocial - 1980
Page 18 Pierre Boulez - Répons - 1981 - Classical & Electro
Page 22 Comix - Touche pas mon sexe - 1981
Page 5 Patrick Coutin - J'aime regarder les filles - 1981
Page 2 Charlélie Couture - Comme un avion sans aile - 1981
Page 31 Charles de Goal - Exposition - 1981
Page 5 Hervé Cristiani - Il est libre Max - 1981 
Page 17 Guerre Froide - Demain Berlin - 1981
Page 15 La Souris Déglinguée - Rock'N'Roll Vengance - 1981
Page 4 Marquis de Sade - Wanda's Loving Boy - 1981
Page 39 Marquis de Sade - Cancer and Drugs - 1981
Page 2 Renaud - Manu - 1981
Page 37 Michel Sardou - Les lacs du Connemara - 1981
Page 5 Jean Schultheis - Confidence pour confidence - 1981
Page 29 TGV - T.G.V. (Très Grande Vitesse) Partie 1 - 1981
Page 22 Ti Céleste - Testaman - 1981
Page 5 Chagrin d'Amour - Chacun fait c'qui lui plaît - 1982
Page 8 Gérard Blanchard - Rockamadour - 1982
Page 32 Renaud Gagneux - Requiem - Introitus et Kyrie - 1982 - Classical
Page 21 Ici Paris - Allo le monde... - 1982
Page 11 Kas Product - Never Come Back - 1982
Page 17 Les Forbans - Chante - 1982
Page 1 Richard Gotainer - La ballade de l'obsédé - 1982
Page 3 Indochine - L'aventurier - 1982
Page 32 Guy Marchand - Destinée - 1982
Page 16 Act. - Ping pong - 1983
Page 6 Isabelle Adjani - Pull Marine - 1983 
Page 13 Axel Bauer - Cargo - 1983
Page 36 Michel Berger - Diego, libre dans sa tête - 1983
Page 30 Deux - Game and performance - 1983
Page 31 Catherine Lara - Le rockeuse de diamants - 1983
Page 24 Malavoi - Caressé mwen - 1983
Page 17 Jakie Quartz - Mise au point - 1983
Page 28 Regrets - Je ne veux pas rentrer chez moi seule - 1983
Page 36 Guy Reibel - Suite pour Edgar Poe - 1983 - Classical
Page 24 François Tusques - Le Musichien - 1983 - Jazz
Page 30 Complot Bronswick - I know The Power of words - 1984
Page 27 Die Form - Masochist - 1984
Page 25 Cookie Dingler - Femme libérée - 1984
Page 13 Martin Dupont - Just Because - 1984
Page 27 Ice - La grande guerre - 1984
Page 29 Moon Ray - Comanchero - 1984
Page 9 Paul Personne - Barjoland - 1984
Page 34 Les Rita Mitsouko - Marcia Baila - 1984
Page 17 Téléphone - Un autre monde - 1984
Page 18 Daniel Balavoine - Tous les cris, les S.O.S. - 1985
Page 3 Bérurier Noir - Le renard - 1985
Page 5 Bibie - Tout doucement - 1985
Page 26 Etienne Daho - Tombé pour la France - 1985
Page 3 Jean-Jacques Goldman - Je te donne - 1985
Page 31 Johnny Hallyday - Quelque chose de Tennessee - 1985
Page 19 Les Visiteurs Du Soir - Je t'écris d'un pays - 1985
Page 3 Michel Jonasz - La boîte de Jazz - 1985
Page 16 Marc Lavoine - Les yeux revolver - 1985
Page 12 Message - Dernière nuit - 1985
Page 21 Partenaire Particulier - Partenaire Particulier - 1985
Page 32 Renaud - Mistral Gagnant - 1985
Page 10 Ruth - Polaroïd/Roman/Photo - 1985
Page 14 Marc Seberg - L'éclaircie - 1985
Page 23 Laurent Voulzy - Belle-Île-en-Mer, Marie-Galante - 1985
Page 14 Buzy - Body Physical - 1986
Page 31 Corynne Charby - Boule de flipper - 1986
Page 36 L'enfance Eternelle - Violet Winter - 1986
Page 37 Ettika - Ettika - 1986
Page 22 Gold - Ville de lumière - 1986
Page 29 Allain Leprest - Y'a rien qui s'passe - 1986
Page 26 License IV - Viens boire un p'tit coup à la maison - 1986
Page 5 Caroline Loeb - C'est la Ouate - 1986
Page 37 Jeanne Mas - En rouge et noir - 1986
Page 30 Sabine Paturel - Les bêtises - 1986
Page 13 Jean-Claude Petit - Jean de Florette - Theme - 1986 - OST
Page 12 Julie Pietri - Ève lève-toi - 1986
Page 35 Pijon - Cache cache party - 1986
Page 7 Stephanie de Monaco - Ouragan - 1986
Page 2 Mylène Farmer - Libertine - 1986
Page 4 La Compagnie Créole - Ca fait rire les oiseaux - 1986
Page 19 Francis Lalanne - On se retrouvera - 1986
Page 19 Les Ablettes - Jackie s'en fout - 1986
Page 10 Images - Les démons de minuit - 1986
Page 6 Elli Medeiros - Toi mon toit - 1986
Page 28 Ludwig Von 88 - Bière et punk - 1986
Page 14 Parabellum - Cayenne - 1986
Page 35 Philippe Russo - Magie noire - 1986
Page 25 Trisomie 21 - The last song - 1986
Page 20 Arnold Turboust - Adelaïde - 1986
Page 19 À Caus' des Garçons - À Cause des Garçons - 1987
Page 17 Anyway - Face au monde - 1987
Page 26 Art Zoyd - Baboon's Blood - 1987
Page 4 Jean-Louis Aubert - Les plages - 1987
Page 16 Louis Bertignac - Ces idées-là - 1987
Page 5 Desireless - Voyage Voyage - 1987
Page 37 Martin Dupont - Inside Out - 1987
Page 36 Mylène Farmer - Sans contrefaçon - 1987
Page 31 France Gall - Ella, elle l'a - 1987
Page 33 Jean-Jacques Goldman - Là-bas - 1987
Page 9 Patricia Kaas - Mademoiselle chante le blues - 1987
Page 20 Les Calamités - Vélomoteur - 1987
Page 16 Eddy Louiss - Blues for Klook - 1987 - Jazz
Page 20 Eric Morena - Oh ! Mon bateau - 1987
Page 37 Vanessa Paradis - Joe le taxi - 1987
Page 4 Guesch Patti - Etienne - 1987
Page 23 Michel Portal - Mozambic - 1987 - Jazz
Page 33 Raft - Yaka Dansé - 1987
Page 39 Isabelle Antena - Le poisson des mers du sud - 1988 - Jazz
Page 16 Début de Soirée - Nuit de folie - 1988
Page 35 Dédé Saint-Prix - Mi sé sa - 1988
Page 34 Richard Desjardins - Les Yankees - 1988
Page 9 Les Garçons Bouchers - Carnivore - 1988
Page 12 Gipsy King - Djobi Djoba - 1988
Page 35 Jacques Higelin - Tombé du ciel - 1988
Page 28 Véronique Jannot - Aviateurs - 1988
Page 3 Bernard Lavilliers - On The Road Again - 1988
Page 12 Lightwave - Le Parvis - 1988 - Electro
Page 22 Mano Negra - Mala Vida - 1988
Page 1 Les Négresses Vertes - Voilà L'été - 1988 
Page 13 Norma Loy - Power of spirit - 1988
Page 6 Princess Erika - Trop de Bla-bla - 1988
Page 11 Eric Serra - Le grand bleu - Theme - 1988 - OST
Page 24 Soldat Louis - Du rhum, des femmes - 1988
Page 36 Alain Souchon - Quand je serai K.O. - 1988
Page 23 Tristan - Bonne bonne humeur ce matin - 1988
Page 39 Patrick Bruel - Place des grands hommes - 1989
Page 21 Dominic Sonic - When My Tears Run Cold - 1989
Page 15 Jad Wio - Ophélie - 1989
Page 23 Maurane - Toutes les mamas - 1989
Page 1 Richard Gotainer - Le Combat De Rock - 1989 
Page 3 Zouk Machine - Maldòn (La musique dans la peau) - 1989

Page 21 Michel Berger - Le paradis blanc - 1990
Page 18 Elmer Food Beat - Daniela - 1990
Page 35 Jane Birkin - Love Fifteen - 1990
Page 7 Pauline Ester - Oui, je l'adore - 1990
Page 12 Liane Foly - Au fur et à mesure - 1990
Page 34 Les Freluquets - La débauche - 1990
Page 5 Thierry Hazard - Le Jerk - 1990
Page 39 Maurice Jarre - Ghost - 1990 - OST
Page 24 Little Nemo - L'heure d'hiver - 1990
Page 2 Niagara - J'ai Vu - 1990
Page 18 Vanessa Paradis - Tandem - 1990
Page 1 Pigalle - Dans la salle du bar tabac de la rue des Martyrs - 1990
Page 17 Diane Tell - La légende de jimmy - 1990
Page 19 Joëlle Ursull - White & Black Blues - 1990
Page 25 Les Wampas - Petite fille - 1990
Page 39 Amina - Le dernier qui a parlé - 1991
Page 22 Assassin - Esclave de votre société - 1991
Page 4 Au P'tit Bonheur - J'Veux du Soleil - 1991
Page 19 Dany Brillant - Suzette - 1991
Page 27 Jil Caplan - Tout c'qui nous sépare - 1991
Page 9 Fédération Française de Funk - New Funk Génération - 1991
Page 24 Kent - Tous les mômes - 1991
Page 6 Les Inconnus - Auteuil, Neuilly, Passy - 1991
Page 14 Jean-Louis Murat - Col de la Croix-Morand - 1991
Page 1 Les Rita Mitsouko - Les Amants - 1991
Page 34 Yannick Noah - Saga Africa - 1991
Page 21 Peter Kitsch - Come On sur mon scoot - 1991
Page 30 Les Rats - Je m'emmerde - 1991
Page 38 RoBERT - Les jupes - 1991
Page 2 William Sheller - un Homme Heureux - 1991
Page 2 Mc Solaar - Bouge de là ! - 1991
Page 28 Caline Georgette - On danse - 1992
Page 18 Deep Forest - Sweet Lullaby - 1992
Page 34 Noir Désir - Tostaky (Le continent) - 1992
Page 10 Les innocents - L'autre Finistère - 1992
Page 38 Stéphane Picq - Dune sountrack - Chani's Eyes - 1992 - VGST
Page 10 Pow Wow - Le Chat - 1992
Page 19 Regg'Lyss - Mets de l'huile - 1992
Page 27 Les VRP - Aujourd'hui, c'est dimanche - 1992
Page 2 L'affaire Louis Trio - Mobilis In Mobile - 1993 
Page 31 Âme strong S.A. - Tout est bleu - 1993 - Electro
Page 13 Billy Ze Kick - Mangez-moi ! Mangez-moi ! - 1993
Page 17 Alain Chamfort - L'ennemi dans la glace - 1993
Page 23 Pascal Comelade - Promenade des Schizophrenes - 1993
Page 24 Enzo Enzo - Juste quelqu'un de bien - 1993
Page 33 Loudblast - Cross the Threshold - 1993
Page 17 Axelle Red - Sensualité - 1993
Page 2 Alain Souchon - Foule Sentimentale - 1993 
Page 10 Les Thugs - As happy as possible - 1993
Page 7 Pierre Vassiliu - La vie ça va - 1993
Page 33 Alai Bashung - Ma petite entreprise - 1994
Page 38 Francis Cabrel - Je t'aimais, je t'aime et je t'aimerai - 1994
Page 13 Daran et les chaises - Dormir dehors - 1994
Page 7 Gérald De Palmas - Sur La Route - 1994
Page 2 IAM - Le Mia - 1994
Page 20 Lynda Lemay - Le plus fort, c'est mon père - 1994
Page 15 Ministère A.M.E.R. - Plus vite que les balles - 1994
Page 15 Alliance Ethnik - Respect - 1995
Page 29 Arno - Les yeux de ma mère - 1995
Page 26 Blankass - La couleur des blés - 1995
Page 4 Dominique A - Le Twenty-Two bar - 1995
Page 38 Bernard Lavilliers - Melody Tempo Harmony - 1995
Page 38 Napoléon Magloire - Pwan pannié la - 1995
Page 24 Miossec - Non non non non - 1995
Page 21 Mütiilation - Born Under the Master’s Spell - 1995
Page 11 Kat Onoma - La Chambre - 1995
Page 26 Silmarils - Cours vite ! - 1995
Page 2 Suprême NTM - Paris sous les bombes - 1995 
Page 30 Blaszcyk et Les Electrolux - Pour vous Madame - 1996
Page 13 Diabologum - La Maman et la Putain - 1996
Page 5 Dimitri from Paris - Sacré Français - 1996 - Electro
Page 6 Doc Gynéco - Nirvana - 1996
Page 33 G-Squad - Aucune fille au monde - 1996
Page 4 Juliette - Rimes Féminines - 1996
Page 6 Khaled - Aïcha - 1996
Page 8 Valérie Lemercier - Goûte mes frites - 1996
Page 20 Philippe Léotard - Lonesome Piéton - 1996
Page 30 Nuttea - La weed brûle - 1996
Page 29 Manu le Malin - An old dream - 1996 - Electro
Page 14 Motorbass - Flying Fingers - 1996
Page 32 Sloy - Idolize - 1996
Page 38 Michel Jonasz - Soul Music Airlines - 1996
Page 3 Yann Tiersen - J'suis jamais allé - 1996
Page 17 Tonton David - Chacun sa route - 1996
Page 8 Ophélie Winter - Dieu m'a donné la foi - 1996
Page 25 Gabriel Yared - The English Patient - Theme - 1996 - OST
Page 39 Akhenaton - Pousse au milieu des cactus, ma rancœur - 1997
Page 3 Daft Punk - Around The World - 1997 - Electro
Page 35 Daft Punk - Da Funk - 1997 - Electro
Page 21 Dolly - Je n'veux pas rester sage - 1997
Page 6 Era - Ameno - 1997
Page 21 Faudel - Tellement je t'aime - 1997
Page 12 Laurent Garnier - Crispy Bacon - 1997 - Electro
Page 38 Louise Attaque - Vous avez l'heure ? - 1997
Page 37 IAM - Petit frère - 1997
Page 10 La Tordue - lola - 1997
Page 20 Les Ogres de Barback - Rue de Panam - 1997
Page 1 Louise Attaque - J't'emmène au vent - 1997
Page 16 Massilia Sound System - Brûle ces papiers - 1997
Page 16 Ménélik - Je me souviens - 1997
Page 19 No One Is Innocent - Nomenklatura - 1997
Page 10 Florent Pagny - Savoir aimer - 1997
Page 17 Rachid Taha - Ya Rayah - 1997
Page 12 Air - Sexy Boy - 1998 - Electro
Page 10 René Aubry - La Grande Cascade - 1998 - Classical
Page 25 Autour de Lucie - Sur tes pas - 1998
Page 5 Alain Bashung - La nuit je mens - 1998
Page 36 Richard Cocciante/Patrick Fiori, Daniel Lavoie and Garou - Belle - Notre-Dame de Paris - 1998
Page 29 Marc Collin - Les Kid Nappeurs - Thème principal - 1998- OST
Page 27 Francis Dhomont - Je te salue, vieil océan ! - 1998 - Classical & Electronic
Page 37 Lara Fabian - Je t'aime - 1998
Page 8 Alex Gopher - The Child - 1998 - Electro
Page 10 Idéal J - Hardcore - 1998
Page 23 Manau - La tribu de Dana - 1998
Page 16 Matmatah - Lambé An Dro - 1998
Page 22 Roudoudou - Peace and Tranquility to Earth - 1998 - Electro
Page 23 Sinclair - Si c'est bon comme ça - 1998
Page 5 Stardust - Music Sounds Better with You - 1998 - Electro
Page 34 Suprême NTM - Ma Benz - 1998
Page 32 Tryo - L'hymne de nos campagnes - 1998
Page 5 Zebda - Tomber le chemise - 1998
Page 37 Cassius - Cassius 1999 - 1999 - Electro
Page 32 Etienne Charry - Par ici la monnaie - 1999
Page 8 Thomas Fersen - La Chauve-Souris - 1999
Page 20 Laidy Laistee - Et si... ? - 1999
Page 15 Larusso - Tu m'oublieras - 1999
Page 13 Lofofora - Les Gens - 1999
Page 35 -M- - Onde sensuelle - 1999
Page 25 Mass Hysteria - Contraddiction - 1999
Page 6 Mr Oizo - Flat Beat - 1999 - Electro
Page 7 Michel Petrucciani - Brazilian Like - 1999 - Jazz
Page 10 Saïan Supa Crew - Angela - 1999
Page 29 Damien Saez - Jeune et con - 1999
Page 37 Patrick Sébastien - Le petit bonhomme en mousse - 1999
Page 22 Hélène Ségara - Il y a trop de gens qui t'aiment - 1999
Page 38 Sergent Garcia - Acabar mal - 1999
Page 33 Svinkels - Réveille le punk - 1999
Page 12 Tahiti 80 - Heartbeat - 1999
Page 15 Erik Truffaz - Siegfried - 1999 - Jazz

Page 6 Alizée - Moi... Lolita - 2000
Page 23 Françoiz Breut - Si tu disais - 2000
Page 30 Grand Popo Football Club - Les hommes, c'est pas des mecs bien ! - 2000 - Electro
Page 20 Michel Houellebecq - Célibataires - 2000
Page 37 Java - Sex, accordéon et alcool - 2000
Page 10 Mirways - Naïve Song - 2000 - Electro
Page 17 Modjo - Lady (Hear me tonight) - 2000 - Electro
Page 11 Nèg' Marrons - Le bilan - 2000
Page 15 Paris Combo - Living Room - 2000
Page 18 Pierpoljak - Maman - 2000
Page 14 St Germain - Rose rouge - 2000 - Electro & Jazz
Page 30 Carnival in Coal - Don't be happy, worry - 2001
Page 32 Le pélican frisé - Les cervelles sont cuites - 2001
Page 2 Etienne Daho et Dani - Comme un Boomerang - 2001
Page 6 Expérience - Aujourd'hui, maintenant - 2001
Page 1 Brigitte Fontaine et Noir Désir - Bis Baby Boum Boum - 2001
Page 13 Gotan Project - Santa Maria - 2001 - Electro
Page 28 Manu Chao - Me gustas tu - 2001
Page 1 Noir Désir - Le vent nous portera - 2001
Page 20 The Supermen Lovers - Starlight - 2001 - Electro
Page 1 Hubert-Félix Thiéfaine - Guichet 102 - 2001
Page 33 Corneille - Parce qu'on vient de loin - 2002
Page 14 Eiffel - Tu vois loin - 2002
Page 2 Johnny Hallyday - Marie ! - 2002
Page 8 Le Peuple de l'Herbe - No Escape - 2002
Page 21 One T - The Magic Key - 2002
Page 10 Sanseverino - Mal ô mains - 2002
Page 4 A.S. Dragon - Dirty - 2003
Page 24 Stéphane Belmondo - Notre Père -2003 - Jazz
Page 12 Carla Bruni - Quelqu'un m'a dit - 2003
Page 18 Alexandre Desplat - Girl with a pearl earring - Griet's Theme - 2003 - OST
Page 8 Christophe Héral - Hyllian Suite - 2003 - VGST
Page 12 La Grande Sophie - Devenir grand (On savait) - 2003
Page 16 Les Fatals Picards - Goldorak est mort - 2003
Page 2 M - Qui de nous deux ? - 2003
Page 24 Mc Jean-Gab'1 - Donjon - 2003
Page 5 Mickey 3D - Respire - 2003
Page 39 Jean-Jacques Milteau - Blue 3rd - 2003
Page 5 Tété - A la faveur de l'automne - 2003
Page 6 Keren Ann - La forme et le fond - 2004
Page 30 Amel Bent - Ma philosophie - 2004
Page 23 Anorexia Nervosa - Sister September - 2004
Page 15 Bruno Coulais - Les Choristes - Vois sur ton chemin - 2004 - OST
Page 27 Daniel Darc - Je me souviens, je me rappelle - 2004
Page 9 Vincent Delerm - Fanny Ardant et Moi - 2004
Page 39 Eths - Crucifère - 2004
Page 27 David Lafore - Un baiser, une bombe - 2004
Page 28 Kool Shen - Un ange dans le ciel - 2004
Page 11 La Rue Kétanou - Les hommes que j'aime - 2004
Page 24 Luke - La sentinelle - 2004
Page 17 Passi - Face à la mer (feat Calogero) - 2004
Page 12 Sinsémilia - Tout le bonheur du monde - 2004
Page 34 Uncommonmenfrommars - You can be evil - 2004
Page 15 Bénabar - Le Dîner - 2005
Pgae 29 Mathieu Boogaerts - Une bonne nouvelle - 2005
Page 3 Camille - Ta Douleur - 2005
Page 25 Clarika - Ne me demande pas - 2005
Page 25 Hocus Pocus - Hip-Hop ? - 2005
Page 22 Justin(e) - Parle moi - 2005
Page 33 L'Oeuf Raide - Stange 50's - 2005 - Electro
Page 4 Philippe Katerine - Louxor J'adore - 2005
Page 10 Raphaël - Caravane - 2005
Page 6 Olivia Ruiz - J'traîne des pieds - 2005
Page 26 Smooth - Smooth - 2005 - Electro
Page Martin Solveig - Rejection - 2005 - Electro
Page 13 Ulan Bator - Pensées Massacre - 2005
Page 14 Vitalic - My friend Dario - 2005 - Electro
Page 19 Wax Tailor - Our Dance - 2005 - Electro
Page 7 AaRON - U Turn (Lili) - 2006
Page 23 Babx - Crack Maniac - 2006
Page 17 Bob Sinclar - Rock this party (Everybody dance now) - 2006 - Electro
Page 9 Jeanne Cherhal - Voilà - 2006
Page 20 Debout sur le zinc - La déclaration - 2006
Page 30 Diam's - La boulette - 2006
Page 15 Dj Mehdi - Signatune - 2006 - Electro
Page 16 Richard Galliano - Tango pour Claude - 2006 - Jazz
Page 14 Pierre Guimard - Stéphanie - 2006
Page 21 I Love UFO - Like In The Movies - 2006
Page 5 Kamini - Marly-Gomont - 2006
Page 12 Kaolin - Partons vite - 2006
Page 29 Emily Loizeau - Je suis jalouse - 2006
Page 22 Les Shades - Electrique - 2006
Page 5 Renan Luce - La lettre - 2006
Page 9 Mademoiselle K - Ça me vexe - 2006
Page 32 Para One - Dudun dun - 2006 - Electro
Page 25 Adrienne Pauly - J'veux un mec - 2006
Page 13 Rinôçérôse - Cubicle - 2006
Page 3 Emilie Simon - Le vieil amant - 2006 - Electro
Page 38 AqME - Karma & Nicotine - 2007
Page 13 Cocoon - On my way - 2007
Page 22 Pauline Croze - Baiser d'adieu - 2007
Page 33 Dionysos - Le jour le plus froid du monde - 2007
Page 19 Fatal Bazooka - J'aime trop ton boule - 2007
Page 34 Fatal Bazooka - Fous ta cagoule - 2007
Page 11 Jil Is Lucky - The Wanderer - 2007
Page 14 Moriarty - Jimmy - 2007
Page 11 Naast - Mauvais Garçon - 2007
Page 33 Panda Dub - Rastamachine - 2007 - Electro
Page 17 Ultra Orange & Emmanuelle - Sing Sing - 2007
Page 28 Les Ramoneurs de menhirs - Dañs Gwadek 1 - 2007
Page 21 Yelle - Ce jeu - 2007
Page 37 Blackrain - Innocent Rosie - 2008
Page 22 DiscoBitch - C'est beau la bourgeoisie - 2008 - Electro
Page 7 Julien Doré - Les limites - 2008
Page 3 EZ3kiel - Adamantium - 2008 - Electro
Page 16 Grand Corps Malade - Je viens de là - 2008
Page 37 Sébastien Tellier - Roche - 2008
Page 1 Anaïs - Mon coeur, mon amour - 2009
Page 2 Benjamin Biolay - Brandt Rhapsodie - 2009
Page 1 BB Brunes - Lalalove you - 2009
Page 21 Birdy Nam Nam - The Parachute Ending - 2009 - Electro
Page 10 Chapelier Fou - Darling, Darling, Darling - 2009 - Electro
Page 7 Coeur de Pirate - Comme des enfants - 2009
Page 11 Diving With Andy - Sugar Sugar - 2009
Page 38 Helmut Fritz - Ça m'énerve - 2009
Page 15 Magnetix - Mort Clinique - 2009
Page 19 Daniel Mille - Fin d'été - 2009 - Jazz
Page 26 The Parisians - Time for nothing more - 2009
Page 30 Phoenix - Lisztomania - 2009
Page 8 Plastiscines - Barcelona - 2009
Page 8 Pony Pony Run Run - Hey You - 2009
Page 7 Oxmo Puccino - Soleil du Nord - 2009
Page 27 PZK - Les filles adorent - 2009
Page 19 Yodelice - Sunday with a flu - 2009

Page 5 Ben L'Oncle Soul - Soulman - 2010
Page 31 Breakbot - Baby I'm yours - 2010 - Electro
Page 11 Cassius - I love you so - 2010 - Electro
Page 32 Les Ennuis Commencent - La belle saison - 2010
Page 38 Les sales majestés - Soi pauvre et tais-toi ! - 2010
Page 8 Arnaud Fleurent-Didier - France Culture - 2010
Page 12 Camélia Jordana - Calamity Jane - 2010
Page 4 Kavinsky - Nightcall - 2010 - Electro
Page 36 Murmuüre - Murmuüre - 2010
Page 14 Al'Tarba - Pain Killers - 2011
Page 4 Arthur H - Cheval de Feu - 2011
Page Nina Attal - Run Away - 2011 - Jazz
Page 22 Ludovic Bource - The Artist - Main Theme - 2011 - OST
Page 3 Cascadeur - Walker - 2011
Page 31 Michel Cloup (Duo) - Le cercle parfait - 2011
Page 13 Déportivo - Ivres et débutants - 2011
Page 6 M83 - Midnight City - 2011 - Electro
Page 18 Ibrahim Maalouf - Beirut - 2011 - Jazz
Page 17 Izïa Higelin - So much trouble - 2011
Page 21 Le Sacre du Tympan - Plurabella's walk - 2011
Page 19 Oldelaf - La Tristitude - 2011
Page 2 Orelsan - Suicide Social - 2011
Page 18 SebastiAn - Embody - 2011 - Electro
Page 36 Hubert-Félix Thiéfaine - La ruelle des morts - 2011
Page 28 Tiwony - Mon continent - 2011
Page 16 Arne Vinzon - Lente dépression - 2011
Page 23 Aline - Je bois, et puis je danse - 2012
Page 38 Arlt - Le périscope - 2012
Page 11 Bertrand Burgalat - Bardot's Dance - 2012
Page 9 C2C - Down The Road - 2012 - Electro
Page 8 Barbara Carlotti - L'amour, l'argent, le vent - 2012
Page 21 Cobra - Nihilistes - 2012
Page 19 Andy Emler - Good Games - 2012 - Jazz
Page 16 Gojira - L'enfant sauvage - 2012
Page 15 Klub Des loobers - Volutes - 2012
Page 24 Lescop - La forêt - 2012
Page 33 Bruno Mantovani - Jeux d'eau - 2012 - Classical
Page 27 Zoufris Maracas - Et ta mère - 2012
Page 33 Renart - Au matin, la mort de l'astre - 2012 - Electro
Page 21 Philippe Rombi - Dans la maison - Theme - 2012 - OST
Page 28 Rone - Bye Bye Macadam - 2012 - Electro
Page 9 Rover - Aqualast - 2012
Page 33 Skip The Use - Ghost - 2012
Page 1 Sébastien Tellier - Cochon Ville - 2012
Page 29 Margaux Avril - C'était la nuit - 2013
Page 39 Chassol - Odissi - 2013
Page 32 Cliché - Hélicon - 2013
Page 22 Jabberwocky - Photomaton - 2013 - Electro
Page 15 Jérôme Echenoz - Le chrome et le coton - 2013
Page 10 Fauve ≠ - Blizzard - 2013
Page 25 La Belle Bleue - Les elephants du Morimondo - 2013
Page 13 La Femme - Sur la planche 2013 - 2013
Page 16 Indila - Dernière Danse - 2013
Page 29 Kaaris - Zoo - 2013
Page 32 Laurent Lamarca - Taxi - 2013
Page 32 La Maison Tellier - Sur un volcan - 2013
Page 27 Thierry Maillard Trio - La côte sauvage - 2013 - Jazz
Page 7 Mendelson - D'un coup - 2013
Page 1 Moodoïd - De Folie Pure - 2013
Page 29 Necrowretch - Putrid Death Sorcery - 2013
Page 27 Oiseaux-Tempête - Ouroboros - 2013
Page 9 Petit Fantôme - Peio - 2013 - Electro
Page 27 Talisco - The Keys - 2013
Page 36 Tagada Jones - De l'Amour & Du Sang - 2013
Page 27 Woodkid - Iron - 2013
Page 4 Zaz - On ira ! - 2013
Page 32 Daniel Zimmermann - Flying Pachydermes - 2013 - Jazz
Page 26 Black M - Sur ma route - 2014
Page 31 Brigitte - A bouche que veux-tu - 2014
Page 38 Calogero - Le portrait - 2014
Page 15 Christine and The Queens - Christine - 2014
Page 20 Dabeull - TR 707 - 2014 - Electro
Page 31 Leïla Huissoud - Le bistrot - 2014
Page 29 Etienne Jaumet - La visite - 2014 - Electro & Jazz
Page 6 Dorian Pimpernel - OVLAR E - 2014
Page 25 Emile Parisien - Hysm - 2014 - Jazz
Page 15 Forever Pavot - Les cigognes nénuphars - 2014
Page 23 Adrien Gallo - Monokini - 2014
Page 21 Marina Kaye - Homeless - 2014
Page 27 MOOON - Neptune - 2014 - Electro
Page 19 Mustang - Le sens des affaires - 2014
Page 10 Shaka ponk - Story O' my LF - 2014
Page 11 Lilly Wood & The Prick - Prayer in C - 2014
Page 8 Kid Francescoli - Blow Up - 2014
Page 10 Charles Pasi - Better with butter - 2014 - Jazz
Page 34 Tiwony Ft. Typical Féfé, Straïka D - Avec Du Love - 2014
Page 14 The Avener - Fade Out Lines - 2014 - Electro
Page 32 Cléa Vincent - Château perdu - 2014
Page 28 Armand Amar - Human - The storm - 2015 - OST
Page 24 Bertrand Belin - Le mot juste (Le beau geste) - 2015
Page 36 Flavien Berger - La fête noire - 2015
Page 19 Jac Berrocal - Solaris - 2015 - Jazz
Page 30 L'impératrice - Vanille Fraise - 2015
Page 23 Jain - Come - 2015
Page 27 Marvin Jouno - Quitte à me quitter - 2015
Page 20 Feu! Chatterton - La Malinche - 2015
Page 28 Jacques - Tout est magnifique - 2015 - Electro
Page 34 Jean Tonique - Near You - 2015 - Electro
Page 14 Bastien Lallemant - Un million d'années - 2015
Page 18 Bachar Mar-Khalifé - Kyrie Eleison - 2015
Page 36 J.C.Satàn - Waiting For You - 2015
Page 39 L.E.J - La dalle - 2015
Page 35 Natural Snow Buildings - Sun Tower - 2015
Page 31 Ofenbach - Be mine - 2016
Page 35 Pneu - Catadioptre Ambidextre - 2015
Page 30 Maître Gims - Sapé comme jamais - 2015
Page 32 Lisa Urt - La voix du bonheur - 2015 - Jazz
Page 30 Agar Agar - Prettiest Virgin - 2016
Page 23 Juliette Armanet - Manque d'amour - 2016
Page 35 Calypso Valois - Le jour - 2016
Page 35 Dionysos - Guerrier de porcelaine - 2016
Page 24 Facteurs Chevaux - Les dames de pluie - 2016
Page 30 Hadouk Trio - Le matin du Faune - 2016 - Jazz
Page 25 Kery James - Racailles - 2016
Page 37 Loïs Le Van - Redwood Meadow - 2016 - Jazz
Page 31 The Limiñanas - Prisunic - 2016
Page 25 Guillaume Perret - Heavy Dance - 2016 - Jazz & Electro
Page 33 PNL - DA - 2016
Page 28 Séverin - Contrôle ta samba - 2016
Page 26 Sidabitball - JellyFish - 2016 - Electro
Page 33 Sidilarsen - Spread It - 2016
Page 39 Apollo Noir - P.4.R.1.5 - 2017 - Electronic
Page 34 Bigflo & Oli - Dommage - 2017
Page 30 Les discrets - Le reproche - 2017
Page 30 Eddy de Pretto - Fête de trop - 2017
Page 34 Fishbach - Un autre que moi - 2017
Page 35 Charlotte Gainsbourg - Kate - 2017
Page 36 Jessica93 - Anti cafard 2000 - 2017
Page 32 Christophe Julien - Au revoir là-haut - Bon voyage, soldat Maillard - 2017 - OST
Page 32 Madame Guillotine - Cao Bang - 2017
Page 39 Songhoy Blues - Bamako - 2017
Page 36 Toufic Farroukh - Villes invisibles - 2017 - Jazz
Page 38 Tony Paeleman - Zadar - 2017 - Jazz
Page 36 Polo & Pan - Coeur croisé - 2017 - Electro
Page 38 ALT 236 - Three Thousand levels - 2018
Page 37 Brace! Brace! - I'm a Jelly - 2018
Page 38 Cannibale - Not Easy To Cook - 2018
Page 32 Johnny Hallyday - J'en parlerai au diable - 2018
Page 33 Arnaud Le Gouëfflec - La Faveur de la nuit - 2018
Page 35 Lomepal - Trop beau - 2018
Page 32 Aya Nakamura - Djadja - 2018
Page 39 L'Épée - Springfield 61 - 2019
Page 37 Les Frangines - Si j'osais - 2019
Page 35 Le Superhomard - Paper Girl - 2019
Page 37 Le Villejuif Underground - I'm Sorry JC - 2019
Page 37 Lorenzo - Damdamdeo - 2019
Page 38 Tiwayo - Wild- 2019

Before 50's 101
50's 28
60's 136
70's 140
80's 140
90's 139
00's 124
10's 147
Total: 955

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mileswide
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Re: France - One song per day.

Post by mileswide » Mon Nov 11, 2019 11:45 am

Romain wrote:
Mon Nov 11, 2019 10:49 am
Je pense plutôt qu'il fait "le bonheur des autres"... héhéhé !
J'étais encore à moitié endormi ! Maybe I'm not the ideal candidate for this proofreading lark :angry-banghead: I'll have a go at the translations where/when I can though :mrgreen:
Starry-eyed and laughing as I recall when we were caught

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Re: France - One song per day.

Post by mileswide » Mon Nov 11, 2019 1:19 pm

Romain wrote:
Sat Nov 09, 2019 12:18 pm
Samedi soir à Bamako sur ma moto
Samedi soir à Bamako sur ma moto
Ho ho ho ho c'est chaud !
Ha ha ha ha c'est là !

Ilma fata
Ilma fata
Ilma fata
Ilma fata

Il est 21h au cop me voilà sur la route
Mais tous les resto du bord de la capitale sont déjà sold out
C'est le rendez vous du peuple au carrefour de la joie
Nordistes et sudistes on s'éclate sur la même piste
C'est beau de voir tous ces couples bien habillés qui nous arrivent

Lady sexy, les garçons chauds
Samedi soir c'est le jour !

Ilma fata
Ilma fata
Ilma fata
Ilma fata

Un seul arbre qui tombe, le bruit s'installe
Mais la forêt ?? [entière] couche, on entend que dalle
C'est terrible quand s'installe la peur, faisons la fête

Samedi soir à Bamako sur ma moto
Samedi soir à Bamako sur ma moto
Ho ho ho ho c'est chaud !
Ha ha ha ha c'est là !
Ho ho ho ho c'est chaud !

Ha ha ha ha c'est là !

Ilma fata
Ilma fata
Ilma fata
Ilma fata
Ilma fata
Ilma fata
Ilma fata
Ilma fata
Bamako (Mali's capital city)

Saturday night in Bamako on my motorbike (x2)
Oh oh oh, it's hot!
Oh oh oh, it's all here!

Let's go out* (x4)

It's 9 o'clock ("Il est 21 heures o'clock"), I'm on my way
But all the restaurants on the edge of the capital are already booked up
This is the meeting place of people on the crossroads of enjoyment
Northerners and Southerners all head for the same dancefloor
It's beautiful to see all the well-dressed couples arrive

Sexy ladies, horny guys
Saturday night, that's the night!

Let's go out* (x4)

When a single tree falls, it's heard all over the world
When the whole forest sleeps, there ain't a sound
It's terrible when fear takes over, let's have a good time instead!

Saturday night in Bamako on my motorbike (x2)
Oh oh oh, it's hot!
Oh oh oh, it's all here!

Let's go out* (x8)


*In local dialect, not French
Starry-eyed and laughing as I recall when we were caught

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Re: France - One song per day.

Post by Romain » Mon Nov 11, 2019 4:50 pm

mileswide wrote:
Mon Nov 11, 2019 1:19 pm

Saturday night in Bamako on my motorbike (x2)
Thanks a lot. If you do another translation, can you send it to me by PM for the simplicity of thread reading. :-)
On the other hand, if you have songs you like, don't hesitate to put some : -)

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Re: France - One song per day.

Post by mileswide » Mon Nov 11, 2019 5:57 pm

Romain wrote:
Mon Nov 11, 2019 4:50 pm

Thanks a lot. If you do another translation, can you send it to me by PM for the simplicity of thread reading. :-)
On the other hand, if you have songs you like, don't hesitate to put some : -)
Sure, will do both 8-)
Starry-eyed and laughing as I recall when we were caught

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Re: France - One song per day.

Post by Romain » Mon Nov 11, 2019 6:06 pm

Gesaffelstein - Pursuit - 2013 - Electro
Tech House, Electro House, Industrial Techno

Album: Aleph

Wikipédia:
Mike Lévy (French pronunciation: ​[majk levi]; born 13 June 1987 in Lyon), known professionally as Gesaffelstein (German pronunciation: [ɡəˈzafl̩ʃtaɪ̯n]), is a French music programmer, DJ, songwriter and record producer. He has worked alongside artists as varied as The Weeknd, Miss Kittin, Daft Punk, A$AP Rocky, Phoenix, Kanye West, Jean-Michel Jarre and Pharrell Williams.

Mike Lévy was born in Lyon (France) June 1987. He started producing music at the age of sixteen when he first played an analog synthesizer. He released his first EP in 2008 through the label OD Records.

In July 2012, Gesaffelstein made the cover of DJ Mag with Brodinski. The same year, his track "Viol" is used by Citroën and Givenchy advertisings .

He co-produced two tracks on Yeezus, the sixth album of American rapper Kanye West, including the lead single "Black Skinhead" and "Send It Up", both tracks produced with Kanye West, Daft Punk, Brodinski and Mike Dean. On October 28, 2013, Gesaffelstein released his debut album Aleph under OWSLA, Bromance Records, Parlophone Records and EMI Music, which had been recorded since 2011. His remix of "Shockwave" by The Hacker is featured in the 2013 video game Grand Theft Auto V, on the Soulwax FM radio station.
In 2015, Gesaffelstein released the single "Conquistador" in collaboration with Jean-Michel Jarre and also produced the soundtrack for the 2015 film Maryland. In early 2018, he produced the tracks "I Was Never There" and "Hurt You" from The Weeknd's My Dear Melancholy, EP.

Gesaffelstein signed to Columbia Records in November 2018, with whom he released the lead single "Reset" from his second studio album Hyperion in the same month. In January 2019, he released a collaboration with The Weeknd titled "Lost in the Fire" as the second single from Hyperion,and later in March 2019 released another collaboration with Pharrell Williams titled "Blast Off" His second studio album was then released on 8 March 2019. On 3 October 2019, Gesaffelstein announced his surprise EP NOVO Sonic System, which was released the following day.


Musical style
Mixmag describes Gesaffelstein's style as being a "dark and threatening techno, though enchanting"; The Inrocks see it as "black, ultra-violent music, [which] revives the techno fundamentals, the intransigence of Underground Resistance , the mental and obsessive structures of Drexciya , the contemporary power and more" . Megan Buerger from the Washington Post describes his style has a mixture of dark and underground music, and notes that a specialty of the artist is his use of silences to create a "tension" before a "raucous explosion of bass and percussion".

Rolling Stone magazine sees his music as being "a little more aggressive and punk-rock than normal".

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Re: France - One song per day.

Post by Romain » Tue Nov 12, 2019 4:00 pm

Next song.

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Re: France - One song per day.

Post by Romain » Tue Nov 12, 2019 4:06 pm

Les tétines noires - Têtes fard et lombrics - 1995
Alternative Rock, Experimental Rock

Album: 12 têtes mortes ( RYM: 3.58/5)

rockmadeinfrance.com (DeepL translate)
Emmanuel Hubaut and William Lamy were only 13 years old in the early 1980s when they founded Les Tétines Noires in a Normandy attic.
But not just any attic, since they are housed in the home of the visual artist Joël Hubaut, Emmanuel's father, who will make the first two covers.
From these two-person rehearsals a truly innovative and captivating rock will emerge; the arrival of a bassist and a drummer will give birth to three albums, the first two of which will be released on the mythical label Boucherie Production and ever-expanding shows that will take them all over Europe and the United States.
For the third "concept" album, the production by the former Treponem Pal Amadou Sall takes the band into an even more violent universe.
On the pictorial side, there will be an abundance of goods since there will be 12 different covers made by 12 contemporary artists including Joël Hubaut - of course -, Ben, Orlan, Fabrice Hybert, Daniel Spoerri, John Giorno, etc.
In 1998, William Lamy left the group, which then became LTNO. Between the United States and Berlin where Emmanuel Hubaut has successively been installed, two new records will be released as part of this almost solo project.


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Re: France - One song per day.

Post by Romain » Thu Nov 14, 2019 5:02 pm

Next song.

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Re: France - One song per day.

Post by Romain » Thu Nov 14, 2019 5:10 pm

High Tone - Bass température - 2001
Novo Dub

Album: Bass température (RYM: 3.59/5)

Wikipédia:
High Tone is a dub band from Lyon, France. Formed in 1997, the band came with an emergence of the French dub music Scene, with bands like Brain Damage Sound System, Kaly Live Dub, Le Peuple de l'Herbe, Improvisators Dub or Meï Teï Shô. Formed by five members, High Tone feeds their music with various influences, such as Drum'n'bass, Ambient, Trance, Vintage Dub with artists like King Tubby or Lee "Scratch" Perry. After a few self produced vinyl EPs, the band signed at the label Jarring Effects. High Tone members are now considered major actors in the French dub scene, and are known for numerous collaborations with other artists.

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Re: France - One song per day.

Post by BillyKev1 » Thu Nov 14, 2019 5:53 pm

I obsessed with them vintage songs.....

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Re: France - One song per day.

Post by Romain » Fri Nov 15, 2019 8:09 pm

Andrex - Y'a des zazous - 1944
Chanson


Wikipédia (DeepL translation)
André Jaubert was born in Marseille, at 105 rue Saint-Pierre. It was at the Copello school that he met Fernandel with whom he made a friendship that would never be denied. Later, Fernandel would launch him in the cinema, helping him to get roles.

With the help of Maurice Chevalier, he made his debut as a singer at the Alcazar de Marseille, before "going up" to Paris and performing at the Concert Mayol. He then turned to theatre and operetta. In 1932, he was hired by Henri Varna at the Casino de Paris, which opened the doors of the capital's greatest music halls to him: the ABC, Bobino, the Théâtre de l'Empire. In 1931, he appeared in Louis Mercanton's short film Une idée de génie. In 1933, he played for the first time with his childhood friend Fernandel. In total, they will be found together in 29 films because Fernandel, who became famous quite quickly, will often reserve for his friend Andrex a role at his convenience in the films he will shoot. In 1934, they were featured in Marcel Pagnol's masterpiece, Angèle, and in all the other popular hits of the time: Ignace in 1937, Barnabé in 1938 and Les Cinq Sous de Lavarède in 1939. He also plays in Manon (1949) under the direction of Henri-Georges Clouzot. But it is still and always in Fernandel's films that we find Andrex: we remember him in the role of Rascasse in Simplet (1942) while in Honoré de Marseille (1956) he plays Watermelon. He also participated in the film Bourvil and Fernandel, La Cuisine au beurre (1963). Still in 1963, in Monsieur de Jean-Paul Le Chanois, he portrayed, alongside Jean Gabin, Antoine, a gangster who was more naive than clever.

At the same time, Andrex continues to pursue his acting career, a singing career with songs such as Comme de bien entendu, La Samba brésilienne and his greatest hit Chez Bébert (le monte-en-l'air), which he will remember in the title of his memoirs: On ne danse plus la java chez Bébert. He participated in numerous galas in Lyon organized by his friend Jo Darlays (the famous speaker Octave-Joseph Gerbet-Darlays, known as "Jo", known as "Toto", whom he and Fernandel had met in the troupe of the actor Niamord de Marseille), and he trained his singing skills there. Darlays was also a former sailor from Toulon, who later met Commander L'Herminier.

Brigitte Fontaine, who knew him personally, pays tribute to him in her album kékéland by covering the track Y a des zazous, in duet with -M-. As for his acting career, Fernandel will think of him to the very end. Since then, Andrex has been part of the first film produced by Gafer, a production company founded, as its name suggests, by Gabin and Fernandel. In the early 1970s, he tried his hand at television series and appeared in Jean Renoir's Le Petit Théâtre (1970).

After the death in 1971 of his wife, the actress Ginette Baudin (1921-1971), and Fernandel, his great friend, who helped him to have small roles in the cinema, Andrex's appearances in the media became increasingly rare.

In 1973, he and other artists participated in the recording of successful French songs from the 1930s, 1940s and 1950s, which were then released on two-disc albums under the Festival label (distribution Musidisc-Europe).

He appeared in the cinema in 1979 in Charles and Lucie by Nelly Kaplan, before returning one last time in 1983 in the film Cap Canaille by Juliet Berto and Jean-Henri Roger.

He died on July 10, 1989 in Paris, following a heart attack. He is buried with his wife at the Saint-Ouen cemetery.

A Zazou :
The zazous were a subculture in France during World War II. They were young people expressing their individuality by wearing big or garish clothing (similar to the zoot suit fashion in America a few years before) and dancing wildly to swing jazz and bebop. Men wore large striped lumber jackets, while women wore short skirts, striped stockings and heavy shoes, and often carried umbrellas.

Brigitte Fontaine and -M- cover:
https://www.youtube.com/watch?v=86MnpJ40Kwk

Jusqu'ici sur Terre
Un homme pouvait être
Blanc ou noir ou jaune
Ou rouge et puis c'est tout
Mais une autre race
Est en train d'apparaître
C'est les Zazous, C'est les Zazous…

[Un faux-col qui monte jusqu'au amygdales
Avec un veston qui descend jusqu'au genoux]
Les cheveux coupés jusqu’à l'épine dorsale
Voila le Zazou, voila le Zazou

Y a des Zazous dans mon quartier
Moi je le suis déjà à moitié
A votre tour un de ces jours
Vous serez tous Zazous comme nous
Car le Zazou c'est contagieux
Ça commence par un tremblement
Qui vous prend soudain brusquement
Et puis en plus des hurlements

Si vous rencontrez un jour sur votre passage
Un particulier coiffé d'un fromage mou
Tenant dans ses doigts un poisson dans une cage
C'est un Zazou, c'est un Zazou

Si votre épicier vous dit : " j'ai du gruyère
Mais malheureusement il ne reste que les trous "
Ne supposez pas qu'il fuit de la cafetière
Il est Zazou, il est Zazou

Y a des zazous dans mon quartier
Moi je le suis déjà à moitié
Un de ces jours ça vous prendra

A son futur gendre avant-hier ma concierge
Disait : voyez vous, ma fille est un bijou.
Elle est encore mieux que si elle était vierge.
Elle est Zazou, Elle est Zazou

Et en prenant le train j'ai vu le chef de gare
Qui m'a dit : Mon cher, je suis plus cocu du tout
Je suis quelque chose de beaucoup plus rare.
Je suis Zazou, je suis Zazou

Y a des zazous dans mon quartier
Moi je le suis déjà à moitié
Un de ces jours ça vous prendra

A la société devant payer sa dette
Devant la guillotine Gégène a dit " j'm'en fous "
Y a déjà longtemps que j'ai perdu la tête
Je suis Zazou, je suis Zazou

Avec une mondaine de la place Pigalle
Mon ami Léon a fait les 400 coups
Ça lui a réussi car pour ses 25 balles
Il est Zazou, Il est Zazou

Y a des zazous dans mon quartier
Moi je le suis déjà à moitié
Et à mon tour un de ces jours
On finira par m'amener
Dans un asile d'aliénés
Entre zazous, on s'y retrouvera
Car c'est fou ce qu'on rigolera
Quand sous les douches on chantera comme ça

Until now on Earth
A man could be
White or black or yellow
Or red and that's all
But another race
Is about to appear
It's the Zoots, it's the Zoots…

[Stiff collars that come up to their tonsils
With suits that go down to their knees]
Hair down to their spines
Here's the Zoots, here's the Zoots...

There are Zoots in my neighbourhood
I'm halfway towards becoming one myself
It'll be your turn one of these days
You'll all be Zoots like us
Because the Zoot is contagious
It starts with a tremble
Which you suddenly get out of nowhere
And then comes the shouting

If, one day, you meet in passing
A certain someone with hair like soft cheese
Holding in his hands a fish in a cage
It's a Zoot, it's a Zoot

If your grocer tells you, "I have Gruyère*
But sadly, all that's left of it is holes"
Don't assume he is crazy
It's a Zoot, it's a Zoot

There are Zoots in my neighbourhood
I'm halfway towards becoming one myself
One of these days, it'll take over you

My concierge said the other day to his future son-in-law
"See, my daughter is a jewel.
She is even better than if she were a virgin
She's a Zoot, she's a Zoot"

And, when I was on the train, I saw the station manager
Who told me, "I'm not being cheated on any more
I am something much rarer
I am a Zoot, I am a Zoot"

There are Zoots in my neighbourhood
I'm halfway towards becoming one myself
One of these days, it'll take over you

In society, you must pay your debt
Before the guillotine, the Tucker Telephone* said "I don't care"
I lost my mind long ago
I am a Zoot, I am a Zoot

At a gathering in Pigalle Square
My friend Léon pulled 400 tricks
He managed that because, for all his 25 francs
He is a Zoot, he is a Zoot

There are Zoots in my neighbourhood
I'm halfway towards becoming one myself
One of these days, it'll take over you
They will end up leading me
Into a mental asylum
Full of Zoots, we'll find each other
Because it'll be crazy what we'll be laughing about
When we're in the showers, we'll all sing like this

*Swiss cheese with a lot of holes
Thanks to mileswide.
Last edited by Romain on Sat Nov 16, 2019 4:44 pm, edited 1 time in total.

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Re: France - One song per day.

Post by mileswide » Sat Nov 16, 2019 11:41 am

*Tucker Telephone did have a link attached to it but it was only Wikipedia, which of course isn't hard to find--I wasn't aware what a Tucker Telephone was but as you may all be able to infer from its pairing with the guillotine, it's a torture device.

It was made out of a crank phone wired to cell batteries designed to administer electric shocks. It, like napalm, was only used on a wide scale during the Vietnam War but there were reports of state prisons in the U. S. attaching it to prisoners' body parts, including prisoners, as late as 1974- what is wrong with people?
Starry-eyed and laughing as I recall when we were caught

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Re: France - One song per day.

Post by Romain » Sat Nov 16, 2019 8:07 pm

Pauline Croze - T'es beau - 2005
Chanson, Nouvelle chanson française, Folk Pop, Pop, Art Pop, Bossa nova

Album: Pauline Croze (3.27/5)

Allmusic
Artist Biography by Jason Ankeny
French folk-pop chanteuse Pauline Croze was born in the Paris suburb of Noisy-le-Sec on May 4, 1979. As a teen she began learning guitar, and by 20 was a staple of the local coffeehouse circuit, developing a repertoire of original material composed in collaboration with Señor Holmes alum Quito.

In early 2003 Croze launched a writing partnership with Edith Fambeuena and Anne Claverie, who previously teamed in the Etienne Daho-sponsored group Les Valentins. By year's end she scored slots at festivals including Les Transmusicales and landed the track "Larmes" on a compilation CD available with the influential French music journal Les Inrockuptibles. After spending the first half of 2004 on tour in support of acts including Miossec and Lhasa, Croze signed to the Wagram label on her 25th birthday, releasing her Frambeuena-produced eponymous debut LP in early 2005. The album was a critical and commercial success, earning the singer Victoires de la Musique Award nominations in the Breakthrough Act and Album of the Year categories.
This was followed in 2007 by her second record, Un Bruit Qui Court, which saw Croze experiment with electro-pop sounds alongside her acoustic folk musings. Her third album, Le Prix de L’Eden, was released in 2012.
T’es beau
T’es beau parce que t’es courageux
De regarder dans le fond des yeux
Celui qui te défie d’être heureux

T’es beau
T’es beau comme un cri silencieux
Vaillant comme un métal précieux
Qui se bat pour guérir de ses bleus

C’est comme une rengaine
Quelques notes à peine
Qui forcent mon cœur
Qui forcent ma joie
Quand je pense à toi
À présent

J’ai beau
J’ai beau me dire qu’au fond c’est mieux
Même si c’est encore douloureux
Je n’ai pas de recoin silencieux

C’est beau
C’est beau parce que c’est orageux
Avec ce temps je connais peu
Les mots qui traînent au coin de mes yeux

C’est comme une rengaine
Quelques notes en peine
Qui forcent mon cœur
Qui forcent ma joie
Quand je pense à toi

Toi qui sors de scène
Sans armes et sans haine
J’ai peur d’oublier
J’ai peur d’accepter
J’ai peur des vivants
À présent

T’es beau…

You're handsome
You're handsome 'cause you're brave enough
To look in the eyes
Of the one who dares you to be happy

You're handsome
You're as handsome as a silent shout
As solid as a precious metal
Fighting to recover from its bruises

It's like a corny old song
A few notes in torment
Breaking into my heart
Breaking into my joy
When I think of you
Now

Even if I
Even if I think it's actually better
Though it's still hurting
I don't have any silent corner [to hide in]

It's beautiful
It's beautiful 'cause it's stormy
With that weather, I barely know
The words lying about the corners of my eyes

It's like a corny old song
A few notes in torment
Breaking into my heart
Breaking into my joy
When I think of you

As you're going off the stage
Without weapons and without hatred
I'm afraid of forgetting
I'm afraid of accepting
I'm afraid of the living
Now

You're handsome…

Thanks to maëlstrom on LyricsTranslate.

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Location: Lyon, France

Re: France - One song per day.

Post by Romain » Mon Nov 18, 2019 8:46 am

Next song.

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Re: France - One song per day.

Post by Romain » Mon Nov 18, 2019 8:55 am

Les Compagnons de la Chanson - Je reviens chez nous - 1969
Chanson.

Artist Biography by AllMusic
This French male vocal group were Edith Piaf’s original accompanists and comprised Guy Bourguignon (b. 1920, Tulle, France, d. 31 December 1969, Paris, France; bass), Jean Broussolle (b. 1920, Saint-Vallier, France, d. 1984; baritone), Jean-Pierre Calvet (b. 1925, Orgon, France, d. 1989; tenor), Jo Frachon (b. 1919, Davézieux, France, d, 1992; bass), Jean-Louis Jaubert (b. 29 August 1920, Mulhouse, France; bass), Hubert Lancelot (b. 1923, Lyon, France, d. 1995, Paris, France; baritone), Fred Mella (b. 10 March 1924, Annonay, Ardèche, France; tenor), René Mella (b. 1926, Annonay, Ardèche, France; tenor), and Gérard Sabbat (b. 1926, Lyon, France; baritone).
They featured on one of her best-known numbers, ‘Les Trois Cloches’, composed by Jean Villard in 1945. Later, they recorded it under their own name, and when an English lyric by Bert Reisfeld was added in 1948, the song was retitled ‘The Three Bells’ (‘The Jimmy Brown Song)’. Their re-recorded Anglicized version reached the UK chart in 1959. Apparently, it was their version, sung on the Ed Sullivan Show in 1951, that inspired US group the Browns to record it, thereby giving themselves a number 1 hit. Composer Jean Villard used the same melody in 1945 for ‘While The Angelus Was Ringing’, which had a lyric by the American songwriter Dick Manning.

The last of them, Fred Mella, the solist of Les Compagnons de la Chanson, died on November 16 2019.
The Browns cover:
https://www.youtube.com/watch?v=HTkbj56bnYs

Il a neigé à Port-au-Prince; il pleut encore à Chamonix.
On traverse à gué la Garonne; le ciel est plein de bleu à Paris.
Ma mie, l'hiver est à l'envers; ne t'en retourne pas dehors.
Le monde est en chamaille—on gèle au sud, on sue au nord.

Fais du feu dans la cheminée, je reviens chez nous.
S'il fait du soleil à Paris, il en fait partout.
Fais du feu dans la cheminée, je rentre chez moi.
Et si l'hiver est trop rusé, on hibernera.

La Seine a repris ses vingt berges malgré les lourdes giboulées.
Si j'ai du frimas sur les lèvres, c'est que je veille à ses côtés.
Ma mie, j'ai le coeur à l'envers; le temps ravive le cerfeuil.
Et je ne veux pas être seule quand l'hiver tournera de l’oeil.

Fais du feu dans la cheminée, je reviens chez nous.
S'il fait du soleil à Paris, il en fait partout.
Fais du feu dans la cheminée, je rentre chez moi.
Et si l'hiver est trop rusé, on hibernera.

Je rapporte avec mes bagages un goût qui m'était étranger.
Moitié dompté, moitié sauvage, c'est l'amour de mon potager.

La la la la la la la la la la la la la.

La la la la la la la la la la la la la.

Fais du feu dans la cheminée, je reviens chez nous.
S'il fait du soleil à Paris, il en fait partout.

It snowed at Port-au-Prince; it is still raining at Chamonix.
We cross the ford of the Garonne; the sky is brilliant blue in Paris.
My love, winter is upside-down; this is not the time to be outside.
The world is upside-down—we freeze in the south, we sweat in the north.

Make a fire in the fireplace, I am coming home.
If the sun is out in Paris, the sun is out everywhere.
Make a fire in the fireplace, I am coming home.
And if winter gets to be too much, we will hibernate.

The Seine has fallen back into its banks despite the heavy rain.
If frost is on my lips, it is because I stand vigil by its side.
My love, I am perplexed; the warmth brings forth herbs.
And I do not want to be alone when winter looks the other way.

Make a fire in the fireplace, I am coming home.
If the sun is out in Paris, the sun is out everywhere.
Make a fire in the fireplace, I am coming home.
And if winter gets to be too much, we will hibernate.

I bring back with my travel bags a taste that was foreign to me.
Half tamed, half wild, it is a taste for herbs.

La la la la la la la la la la la.

La la la la la la la la la la la.

Make a fire in the fireplace, I am coming home.
If the sun is out in Paris, the sun is out everywhere.

Thanks to LyricsTranslate.

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Re: France - One song per day.

Post by Romain » Wed Nov 20, 2019 5:50 pm

Next song.

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Re: France - One song per day.

Post by Romain » Wed Nov 20, 2019 6:04 pm

Mano Solo - Au creux de ton bras - 1993
Nouvelle chanson française, Chanson alternative, Chanson

Album: La marmaille nue (RYM: 3,69/5)

Wikipédia:
Mano Solo (24 April 1963 – 10 January 2010), born Emmanuel Cabut, was a French singer. He was born in Châlons-sur-Marne on 24 April 1963 to the illustrator Cabu and Isabelle Monin, co-founder of the ecology-related magazine, La Gueule ouverte.

From the age of 17, Mano Solo played guitar in a punk rock group, les Chihuahuas. He began singing his own compositions in the early nineties. He then sang regularly at the Tourtour theatre in Paris, alongside singers Marousse and P'tit Louis.

His first album, La Marmaille Nue, was released in 1993 and sold 100,000 copies in the first year. His second album, Les Années Sombres ("The Dark Years"), a somber album that also went gold in its first months was released in 1995. In 1996, he regrouped with part of the Chihuahuas for the album Frères Misère (Brothers in Misery). Its rhythms are closer to punk, and the texts are more topical than his solo albums. With little media attention, the album failed to meet immediate success.

The release of a new album: Je sais pas trop ("I don't really know") was in 1997. Recorded live and featuring, once again, original melodies and sounds, it was a Gold record in France. Two years later, Mano Solo recorded the double album Internationale Shalala, live at the Tourtour, a little theatre where he played regularly since the beginning of his music career. He sings and plays guitar on the album, accompanied only by another guitarist, Jean-Louis Solans. The songs come from earlier Solo albums, except for Shalala, a hymn of "inner revolution" that the artist sang together with his audience at the end of every concert, with a positive and dynamic message.

His second live album, La Marche (The Walk), was released in 2002. It consists mostly of songs from the album Dehors ("Outside"), released earlier (August 2000). With the album comes a DVD featuring photos and videos from concerts, and CG animations from Mano Solo's imagination.

In 2004, Les animals was released. As with other Solo albums the sound was new, the lyrics contained much poetic language, and the songs were performed energetically. Some titles were


Parallel to his singing career, Solo developed other talents, including art. He designed the covers of some of his albums. He founded his own publishing imprint (La Marmaille Nue), which released two of his own books: a poetry anthology, Je suis là ("I am here") (1995), and a novel, Joseph sous la pluie ("Joseph in the rain") (1996).

From 2001, Solo became very interested in the Internet; he created and developed his own website around his artistic, social, and political interests, while encouraging his visitors to be creative themselves.

Solo had been HIV positive for years secondary to his youthful drug use. He was rushed to hospital after a concert in Paris on 12 November 2009. There he died at the age of 46 on 10 January 2010. His death due his illness. He is buried at the Père Lachaise cemetery in Paris.

Ça fait des heures que tu l'attends,
t'as mal aux os, t'as mal au dos,
tu transpires c'est pas parce qu'il fait chaud
et tu trembles c'est pas parce que tu as froid.
Mais tu l'attends le salaud,
il prend son temps il sait qu'il aura ton argent,
tu ferais n'importe quoi pour avoir ton petit quépa.
Tu voudrais la sentir déjà
au creux de ton bras,
la femme de ceux qui n'en n'ont pas.
Tu le vois venir de loin,
c'est ton soleil qui revient,
avec sa sale petite gueule d'enculé,
t'es sûr que ce mec là,
il va t'arnaquer.
Mais déjà tu flippes comme un chien,
de peur qu'il te dise qu'il n'a rien,
mais quand il tend sa merde avec mépris,
tu vas même jusqu'à lui dire merci.
Tu voudrais la sentir déjà
au creux de ton bras,
la femme de ceux qui n'en n'ont pas.
Tu cours dans une sanisette
et là pour toi c'est la fête,
et là avec l'eau de la cuvette
tu prépares ta petite dinette.
Et quand enfin tu plantes ton pieu,
dans ton bras devenu noueux
et que le rouge se mêle au blanc,
c'est la fin du tourment.
Tu la sens, maintenant,
au creux de ton bras,
la femme de ceux qui n'en n'ont pas.
Et tu piques du zen dans la rue,
mais déjà tu te souviens même plus,
qui tu étais avant, du temps où tu avais des couilles,
où tu étais fier, du temps où tu avais même,
tu avais même des rêves.
Et tu piques du zen dans la rue,
j'ai comme envie de te botter le cul,
mais j'ai bien trop peur de te casser en deux,
tellement t'as l'air d'un petit vieux.
Avec là,
au creux de ton bras,
la femme de ceux qui n'en n'ont pas.
Elle est vieille ta femme,
elle est trop vieille pour toi....

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Re: France - One song per day.

Post by Romain » Sat Nov 23, 2019 5:56 pm

Next song.

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Re: France - One song per day.

Post by Romain » Sat Nov 23, 2019 6:04 pm

Joseph Canteloube - Chants d'Auvergne - Baïlèro - 1923 - Classical

Wikipédia:
Marie-Joseph Canteloube de Malaret (French pronunciation: ​[maʁi ʒɔzɛf kɑ̃tlub də malaʁɛ]; 21 October 1879 – 4 November 1957) was a French composer, musicologist, and author best known for his collections of orchestrated folksongs from the Auvergne region, Chants d'Auvergne.

Canteloube was born in Annonay, Ardèche, into a family with deep roots in the Auvergne region of France. He studied piano from the age of six with Amélie Doetzer, a friend of Frédéric Chopin. After earning his baccalauréat, he worked at a bank in Bordeaux. He returned to his family home in Malaret (Annonay) upon his father's death in 1896, remaining there until his mother's death in 1899 and then beyond as sole owner of the estate. After a period of silence and mourning, in 1901 Canteloube married Charlotte Marthe Calaret, who gave birth to twins Pierre and Guy in 1903.

He began studying with Vincent d'Indy via correspondence in 1901, reluctant to leave Malaret. Upon d'Indy's constant urging, he finally entered the Schola Cantorum in 1907 in Paris, where he remained until the beginning of World War I in 1914. At the Schola, Canteloube became close friends with fellow composer and student Déodat de Séverac.

In 1907, he wrote a suite in four movements for piano and violin entitled Dans la montagne, which was played at the Société Nationale. Other significant works followed, including Colloque sentimental for voice and string quartet (1908); Eglogue d'Automne for orchestra (1910); Vers la Princesse lointaine, a symphonic poem (1912); Aù printemps for voice and orchestra; and L'Arada (The Earth), a song cycle of six mélodies (1922).

Canteloube composed his first opera, Le mas ("The Farmstead" in Occitan language), to his own libretto from 1910 to 1925 (its composition delayed during the war years). The three-act work won the Prix Heugel in 1925, and was awarded the prize of 100,000 francs. However, the reaction to this composition by the leaders of the Opéra-Comique in Paris was far less enthusiastic than the jury. After pressure from the publisher, it finally premiered on 3 April 1929, but it was never revived. His second opera, Vercingétorix, in four acts, was inspired by a libretto by Étienne Clémentel, mayor of Riom (Puy-de-Dôme) and Hervé Louwyck on the Gauls' defeat by Julius Caesar. The Paris Opéra gave the first performance on 22 June 1933, but it was accused of lacking theatricality.

In 1925, Canteloube founded a group called La Bourrée with several young Auvergnats in Paris who were eager to publicize the folklore and the beauty of their home region. Canteloube himself believed that "peasant songs often rise to the level of purest art in terms of feeling and expression, if not in form" (les chants paysans s’élèvent bien souvent au niveau de l'art le plus pur, par le sentiment et l'expression, sinon par la forme). He composed several song collections, which include Chants de Haute-Auvergne, albums of songs of Rouergue, Limousin, and Quercy, regional religious songs (Chants religieux d'Auvergne), and L'Hymne des Gaules based on a poem by Philius Lebesque. He also participated in the creation of the Bardic College of Gaul.

In 1941, he joined the government in Vichy France during the Nazi occupation, and wrote in the monarchist newspaper Action Française. He participated in numerous radio broadcasts of French folklore with his "Songs of France" with the tenor Christian Selva. The radio was an ideal vehicle for disseminating regional popular music.

Alongside his career as a composer, Canteloube worked as a musicologist, collecting traditional French folksongs, which were published by Didier and Heugel. He also wrote biographies of Vincent d'Indy (1949) and of his friend Déodat de Séverac (1950).

Canteloube took more than thirty years (1924 to 1955) to complete the compilation of his most admired and famous collection of songs, Chants d'Auvergne. These passionate songs reflect the landscapes of the Auvergne in lush orchestral colors and have enabled French folklore and rustic melodies to become better known.

He died in Grigny, Essonne, in 1957, aged 78.

Chants d'Auvergne (French pronunciation: ​[ʃɑ̃ dovɛːʁɲ]; English: Songs from the Auvergne) is a collection of folk songs from the Auvergne region of France arranged for soprano voice and orchestra or piano by Joseph Canteloube between 1923 and 1930. The songs are in the local language, Occitan. The best known of the songs is the "Baïlèro", which has been frequently recorded and performed in slight variations of Canteloube's arrangement, such as for choir or instrumental instead of the original soprano solo.

The first recording, of eleven of the songs, was by Madeleine Grey in 1930, with an ensemble conducted by Élie Cohen. The songs are part of the standard repertoire and have been recorded by many singers.

The melodic elements of two of these songs, "Baïlèro" and "Obal, din lou limouzi (La-bas dans le limousin)", were incorporated into William Walton's soundtrack for Laurence Olivier's film Henry V.

The most famous of the Chants d'Auvergne is Baïlèro.
In his biography of Joseph Canteloube, Jean-Bernard Cahours d'Aspry recounts the circumstances in which the author had collected, at dusk, the air that would become the theme of this Baïlèro: "It was one evening in 1903, at dusk, in the mountain that dominates Vic-sur-Cère, in the Cantal. He contemplated the majestic landscape before his eyes, when suddenly the song of a shepherdess rose up, throwing out her sentences all over the place. Not showing himself well, he began to notice the melody, when from a distance, as if carried by the breeze that rises in the evening on the mountain, he barely perceived the distant voice of another shepherd who was repeating the theme, six kilometres away. »

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Re: France - One song per day.

Post by Romain » Mon Nov 25, 2019 7:23 pm

Next song.

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Re: France - One song per day.

Post by Romain » Mon Nov 25, 2019 7:31 pm

Electro Deluxe - Let's go to work - 2010
Jazz-Funk, Jazz Fusion

Album: Play (RYM: 3.45/5)


Wikipédia (DeepL translate)
Created at the end of 2001, Electro Deluxe is a band that mixes jazz, funk, hip-hop with influences ranging from Herbie Hancock to Buckshot LeFonque and Meshell Ndegeocello. Unlike many groups classified as "electro" whose music is essentially made by machines improvised by soloists, Electro Deluxe is more like a group of musicians whose songs are adorned with loops or samples.

There are many guests on their albums, including Christophe Panzani and Philippe Sellam (saxophones), Guillaume Poncelet, Flavio Boltro and Jean-François Baud (trumpet), Didier Lockwood (violin), Cynthia Saint-Ville, IMO, Crystal and HKB FiNN (vocals), Julien Birot (guitar), Ben l'Oncle Soul (vocals), 20syl (vocals), Nina Attal (vocals, guitar).

The double album Live in Paris was recorded during a concert at the Alhambra where the group was accompanied by a big band, a section of about twenty brass bands led by Thomas Faure. This album features a live selection of songs from the three previous albums.

Album:
Live:

Sortir la tête de l'eau quand la rime est au culot
Le flow se boit au goulot.
Qu'ce soit au pôle nord, au pôle sud ou au pôle emploi
T'es au bon endroit, parait qu'le boulanger Paul emploie,
donc
Va gagner ton pain, ton RSA, les miettes font la baguettes
Pas sûr que quand tu s'ra pépé pépère tu kifferas ta
retraite
Le travail c'est la santé ou bien à Fleury-Mérogis
Pour tous les banquiers qui s'éprennent pour des numéro 10
Puis ça licencie à tour de bras dans les entreprises
Et la France, on va s'retrouver deux doigts dans la crise
(Let's go to work!!)
Sortir la tête de l'eau quand la rime est au kilo
Le flow se boit au goulot
(Let's go to work!!)
J'avais pas vous faire un tableau, c'est la crise de bas en
haut
La société est en sanglot (Let's go to work!!)
Faut y aller au culot, on passe du ririe au trémolo
Donc sortons vite de nos enclos (Let's go to work!!)
Y a de l'espoir dans mon stylo, il faisait noir dans mon
silo
Aujourd'hui le printemps est clos
Ce monde est bancale, une minorité domine tous les autres
On trouve ça normale que le gramme l'emporte sur le kilo
Quand ça spécule à Londres on licencie
A pronto compo, de l'effet papillon on passe à l'effet
domino
Toi, société, mon train, wagon, j'étais ton chemineau
Tu m'as pris pour un con et m'as plumé comme un Bobino
Dix ans de loyau pour boulot derrière un bureau
Moi l'bon blaireau qu'on envoie valser comme un boléro
T'as voulu que j'me barre, baisse le volume que je te parle
On évolue, puis on s'écarte sous des volutes de cigare
Café moulu que je prépare, je met du sucre comme un nectar
Il a fallu qu'on se sépare sous l'claire de l'une d'un quai
de gare
Pour que J'allume enfin mes phares, que j'te salue et que
j'reparte
Loin des talus qui font rempart qui gênent la vue et le
regard
Toi que j'ai lu, papier buvard, toi mon élu, mon étendard
Tu m'as exclu, tel un clochard (Let's go to work!!)
Sortir la tête de l'eau quand la rime est au kilo
(Let's go to work!!)
J'avais pas vous faire un tableau, c'est la crise de bas en
haut
La société est en sanglot (Let's go to work!!)
Faut y aller au culot, on passe du rire au trémolo
Donc sortons vite de nos enclos (Let's go to work!!)
Y a de l'espoir dans mon stylo, il faisait noir dans mon
silo
Aujourd'hui le printemps est clos
Le barbare de flow, de bâbord à tribord, le papier
barbaque, le bic est carnivore. J'ai
Le vacarme, de la musique pour me reposer, on m'avais dit
"Faut prendre des risques" je n'ai jamais osé
Je n'ai pas pu avancer parce que j'avais les jambes
parquées
J'étais coincé comme la monnaie dans les rainures de mon
parquet
Je ne regarde pas les journaux, je ne lis pas la télé
Je vis loin du troupeau à qui l'on apprend a bêler
Et le soleil se lève, et je ferme les volets
Et j'écris, j'écris ma descente vers les sommets
Toute le journée je suis coincé entre une chaise et un
bureau
Le stylo bic est une épée que je sors de son fourreau
Que vais-je bien pouvoir dire à cette feuille blanche qui
veut que je la souille ?
Que je sufflique à des suspects qu'il fait que je la
fouille
Les mains sur le capot ce va tourner à la bavure
Il n'est question que de violence quand on en viens à
l'écriture
J'repars au boulot, au casse-pipe, au charbon
Pour cracher ma silicose dans mon cornet à piston
J'voulais mourir jeune et fond pour pas finir vieux et con
Mais le comble, et j'm'en rend compte, c'est qu'j'vais
mourir jeune et con
Alors j'ai déserté les perspectives d'un monde balisé
Pour devenir le cliché du rappeur en air dans les musées
Le cliché de ce poète chantant les printemps éternels
Les utopies, les paradis, les mondes fraternels

Engoncé dans un costume
Je suis un être post-moderne aux allures posthumes
Je me réveille et par coutume
Endosse les habits ternes de mes habitudes
Je suis l'esclave de ce monde que je n'ai pas choisi
Des communions, une religion, ma poésie, une hérésie
Désenchantement de ma génération
Fichées à l'abord de ses rêves à découvert d'illusions
Lundi matin, j'ai tout stoppé, j'ai raccroché les gants
À mi-chemin de mon trajet, je me suis assis sur un banc
Je me suis mis à gratter ces rimes surannées pour vous parler à
bout pourtant de ma langue surarmée
J'ai mal à mon époque
Le capitale marque de son sceau, sous le règne du ciseau je veux
recoller les morceaux
Quand mon âme est asthmatique, ma musique est ventoline
Les cartésiens sont des grains de folie, préservez moi de
l'embolie
Moi j'ai le cœur qui palpite [???] qui nous précipite à
sortie vite de l'impasse
Et quand le boulot est retraite, mettre un terme à ce
ternaire
S'arrêter pour voir naître des printemps éternels
FIN

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Re: France - One song per day.

Post by Romain » Wed Nov 27, 2019 4:31 pm

Next song.

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Re: France - One song per day.

Post by Romain » Wed Nov 27, 2019 4:34 pm

Meï Teï Shô - Chora Di Alma - 2001 - Jazz
Afrobeat, Jazz-Rock, Jazz Fusion, Dub

Album: Xam Sa Bop (RYM: 3.56/5)

Wikipédia:
Meï Teï Shô is a French music band playing jazz, afrobeat and dub.

This japanese term describes the trance-like state that follows the ingestion of too much rice. That's what the band is trying to obtain with their music: evolutive and repetitive.

Meï Teï Sho is a music to listen to as well as a music to dance to. It is the fruit of a multitude of cultures, reflected in the languages used, the lyrics, the style, the energy and the musicians themselves. Based on a repetitive pattern, the musicians add improvisations, instrumentals and vocals, producing this energetic musical style.

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Re: France - One song per day.

Post by Romain » Fri Nov 29, 2019 5:07 pm

Next song.

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Re: France - One song per day.

Post by Romain » Fri Nov 29, 2019 5:19 pm

Le Cœur - Bye-Bye City - 1969

Son of a doctor, Pierre Groscolas arrived in Toulouse in 1962 where he did his secondary studies.

With friends, they founded a group, "Le Cœur", imbued with pop music, English and American style. They perform The Beatles, Jimi Hendrix, The Mamas & the Papas, The Kinks, The Spencer Davis Group, The Who, etc. They decided to try their luck in Paris where they performed in many popular clubs. They were noticed by producer Eddie Barclay and recorded two singles. Finally, the group broke up in 1969. One of its members, François Porterie, created the Condorcet studio in Toulouse, which is credited with the success of the famous "son" from Toulouse.

C'est bien vrai que pour réussir
La foi seule ne saurait suffire.
Qu'il faut un jour savoir partir.
Vers l'avenir.

Je dois alors courir ma chance
Et renoncer à mon enfance
Essayer d'aimer de mon mieux
De nouveaux cieux.

Bye-Bye City
Ce sera demain
Bye-Bye City
Je serai loin
Bye-Bye City
Je suis le chemin
Bye-Bye City
De mon destin

L'amour qu'on a pour une ville
N’est pas toujours des plus fragile
Je devrais lutter pour détruire
Son souvenir.

Bye-Bye City
Ce sera demain
Bye-Bye City
Je serai loin
Bye-Bye City
Je suis le chemin
Bye-Bye City
De mon destin

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Re: France - One song per day.

Post by Romain » Mon Dec 02, 2019 9:21 am

Next song.

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Re: France - One song per day.

Post by Romain » Mon Dec 02, 2019 9:21 am

Eddy Mitchell - La dernière séance - 1977
Chanson, Pop Rock, Rock & Roll

Album: La dernière séance (RYM: 3.40/5)

Wikipédia:
Claude Moine (French pronunciation: ​[klod mwan]; born 3 July 1942), better known by his stage name Eddy Mitchell, is a French singer and actor. He began his career in the late 1950s, with the group Les Chaussettes Noires (The Black Socks), taking his name from the American expatriate tough-guy actor Eddie Constantine (later the star of Jean-Luc Godard's Alphaville) and Mitchell simply because it sounds American. The band performed at the Parisian nightclub Golf-Drouot before signing to Barclay Records and finding almost instant success; in 1961 it sold two million records.

Heavily influenced by American rock and roll, Mitchell (who went solo in 1963) has often recorded outside France, at first in London, but later in Memphis and Nashville, Tennessee. Guitarists Big Jim Sullivan and Jimmy Page and drummer Bobby Graham were among the British session musicians who regularly supported him in London. For his American recordings he employed session men such as Roger Hawkins, David Hood, Jimmy Johnson, Kenneth Buttrey, Reggie Young, David Briggs, Charlie McCoy and others.

A great lover of American films, he hosted La Dernière Séance, a TV show about American cinema from 1981 to 1998 on FR3 (later France 3). Its format was like an old-fashioned double-feature picture show, with two movies, cartoons, newsreels, and stage attractions. The title was taken from the name of one of Mitchell’s albums, which in turn took it from the French title of the movie The Last Picture Show.

He is also the voice of Dylan (Flappy) in the French version of the 2005 film of The Magic Roundabout, as well as the voice of Chanticleer in the French version of Rock-a-Doodle.

La lumière revient déjà
Et le film est terminé
Je réveille mon voisin
Il dort comme un nouveau-né
Je relève mon strapontin
J'ai une envie de bailler
C'était la dernière séquence
C'était La Dernière Séance
Et le rideau sur l’écran est tombé
La photo sur le mot fin
Peut faire sourire ou pleurer
Mais je connais le destin
D'un cinéma de quartier
Il finira en garage
En building supermarché
Il n'a plus aucune chance
C'était sa dernière séance
Et le rideau sur l’écran est tombé
Bye bye, les héros que j'aimais
L'entracte est terminé
Bye bye, rendez-vous à jamais
Mes chocolats glacés, glacés
J'allais rue des solitaires
A l'école de mon quartier
A cinq heures, j’étais sorti
Mon père venait me chercher
On voyait Gary Cooper
Qui défendait l'opprimé
C'était vraiment bien l'enfance
Mais c'est la dernière séquence
Et le rideau sur l'écran est tombé
Bye bye, les filles qui tremblaient
Pour les jeunes premiers
Bye bye, rendez-vous à jamais
Mes chocolats glacés, glacés
La lumière s’éteint déjà
La salle est vide à pleurer
Mon voisin détend ses bras
Il s'en va boire un café
Un vieux pleure dans un coin
Son cinéma est fermé
C’était la dernière séquence
C’était sa dernière séance
Et le rideau sur l'écran est tombé.

The light is already back in
And the movie's over
I wake my neighbor up
He's sleeping like a baby
I raise my jump seat
I feel like yawning
It was the last showing
It was the Last Showing
And the curtain fell on the screen
The picture on the word End
Can make you smile or cry
But I know the fate
Of a neighborhood cinema
It will end up a garage
A supermarket building
It ran out of luck
It was its last showing
And the curtain fell on the screen
Bye-bye, my beloved heroes
Intermission is over
Bye-bye, see you never
My frozen frozen candies
I was going on Solitary Street
To my neighborhood school
At five I was out
My father would pick me up
We'd watch Gary Cooper
Defending the downtrodden
Childhood was really nice
But it's the last showing
And the curtain fell on the screen
Bye-bye, girls, shivering
For the leading men
Bye-bye, see you never
My frozen, frozen candies
The lights are going off
The room is desolately empty
My neighbor unfolds his arms
He's going to have a coffee
In a corner, an old guy's crying
His movie theater's closed
It was the last showing
It was his last showing
And the curtain fell on the screen

Thanks to Jongeli on LyricsTranslate.

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Re: France - One song per day.

Post by Romain » Wed Dec 04, 2019 4:22 pm

Next song.

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Re: France - One song per day.

Post by Romain » Wed Dec 04, 2019 4:29 pm

La Féline - Adieu l'enfance - 2014
Pop, Synthpop

Album: Adieu l'enfance (RYM: 3.64/5)

Wikipédia (DeepL translate)
Agnès Gayraud (born February 19, 1979 in Tarbes) is a French philosopher, journalist and singer-songwriter. She is better known as the founder of the musical project La Féline.

Born in Tarbes, Agnès Gayraud studied literature at the Lycée Théophile Gautier. In 1997, she entered the hypokhâgne and then khâgne classes at the Pierre de Fermat high school in Toulouse. A native of Normandy, she joined the École normale supérieure and the University of Paris-Sorbonne in 2000.

A graduate in philosophy, Agnès Gayraud is the winner of the Thiers Foundation Scholarship awarded by the Institut de France in 2008. In 2010, she received a doctorate in the History of Philosophy and is the author of the thesis La critique de la subjectivité et de ses figures by T. W. Adorno defended at the University of Paris-Sorbonne. In the same year, she obtained an excellence scholarship from the Université de Montréal.

Temporary teaching and research associate (ATER) at the University of Paris-Sorbonne until 2011, she spent one year in the literature department at Stanford University in California. Since then, she has been a professor of aesthetics at the National School of Art at Villa Arson in Nice.

A journalist, she maintains her critical pen in the Culture pages of the daily newspaper Libération, where she mainly focuses on pop music. She is also an author for the literature section of Philosophie Magazine. In 2018, she published a philosophical essay on recorded popular music, Dialectique de la pop, published by La Découverte / La rue musicale, collection "Culture sonore".

Agnès Gayraud regularly contributes to a personal blog for reflection on music called "Moderne, c'est déjà vieux".


In 2008, first as a trio and then accompanied by Xavier Thiry as synthesizer, Hello Kurt musician, Agnès Gayraud on vocals, guitar, writing and composition turned into La Féline. The musical project takes its name from La Féline, a horror film by French director Jacques Tourneur, released in 1942.

Between 2009 and 2012, the duo released various EPs on the Balades sonores label, including Écho, which included covers.

The band's first album, Adieu l'enfance, was released on Kwaidan Records, Marc Collin's label in November 2014.

La Féline recurs in 2017 with the release of Triomphe.
Cachée dans la forêt
T'avais six ans je crois
Debout sur ton rocher
J'ai de la peine pour toi
Vas, tu devrais rentrer
Il commence à faire noir
La nuit est tombée
Je te dis au revoir

Maintenant, j'en suis certaine
Tu ne reviendras Pas
j'en suis certaine
Gamine aux abois
J'ai retrouvé tes carnets
Les cassettes que tu gardais
Je sais même plus qui t'étais
Ta couleur préférée
J'suis perdue dans la forêt
De tes grandes espérances
Je te vois t'éloigner
Adieu l'enfance
Adieu l'enfance
Maintenant j'en suis certaine
Tu ne reviendras pas
J'en suis certaine
Gamine aux abois

J'pleurerai pas pour ça
J'pleurerai pas pour toi

Hidden in the forest
I believe you were around 6 years old
Standing on the same rock as you
I felt sorry for you
Go, you should go home
It's beginning to get dark
The night is drawing in
I am saying 'See you soon'

Now, I'm sure
That you won't return
I'm sure
Little girl in the wars
I've found your notebooks
The tapes you guarded
I don't even know who you were any more
Your favourite colour
I'm lost in the forest
Of your great hopes
I saw you get away
Goodbye childhood (x2)
Now, I'm sure
That you won't return
I'm sure
Little girl in the wars

I won't cry for that
I won't cry for you

Thanks to mileswide.

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Re: France - One song per day.

Post by Romain » Thu Dec 05, 2019 5:34 pm

Next song

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Re: France - One song per day.

Post by Romain » Thu Dec 05, 2019 5:42 pm

Trois cafés gourmands - À nos souvenirs - 2018

Album: Un air de rien

Wikipédia (DeepL translate)
Trois Cafés Gourmands is a French music group created in 2013 by Mylène Madrias, Sébastien Gourseyrol and Jérémy Pauly. After several years of regional success, their title À nos souvenirs became a national hit in the summer of 2018, while their album Un air de rien became number one in France's Top Album.

Comment puis-je oublier ce coin de paradis ?
Ce petit bout de terre où vit encore mon père
Comment pourrais-je faire pour me séparer d’elle ?
Oublier qu'on est frères, belle Corrèze charnelle

Oublier ce matin que tu es parisien
Que t'as de l'eau dans le vin, que tu es parti loin ?

Ce n'était pas ma faute, on joue des fausses notes
On se trompe de chemin et on a du chagrin
On se joue tout un drame, on a des vagues à l’âme
Tu as du mal au cœur, tu as peur du bonheur

Acheter des tableaux et des vaches en photo
C'est tout c'que t'as trouvé pour te la rappeler

Vous me trouvez un peu con, n’aimez pas ma chanson
Vous me croyez bizarre, un peu patriotard
Le fruit de ma réflexion ne touchera personne
Si vos pas ne résonnent jamais dans ma région
C'est pire qu'une religion, au-delà d'une confession
Je l'aime à en mourir, pour le meilleur et pour le pire
Et si je monte au ciel, il y aura peut être Joël,
Guillaume et Jérémy, et mon cousin Piedri
Yoan sera en voyage dans un autre pays
Allez, fais tes bagages, viens rejoindre tes amis

On veut du Claudie musette à en perdre la tête
On veut un dernier chabrol, un petit coup de gnôle,
Les yeux de nos grands-mères, la voix de nos grands-pères
L'odeur de cette terre, vue sur les Monédières
C'est pire qu'un testament, au delà d'une confidence
On est des petits enfants de ce joli coin de France
Enterrez-nous vivants, bâillonnés s'il le faut
Mais prenez soin avant de remplir notre jabot

La relève est pour toi, notre petit Lucas
On t'laisse en héritage la piste, nous on dégage
Le temps nous a gâté, on en a bien profité
On a des souvenirs en tête, ce soir, faisons la fête !

Acceptez ma rengaine, elle veut juste te dire "je t'aime"
Soyez sûrs, j'en suis fier, j'ai la Corrèze en cathéter
D'être avec vous ce soir, j'ai le cœur qui pétille
Mimi, sers-nous à boire, on a les yeux qui brillent…

Acceptez ma rengaine, elle veut juste te dire "je t'aime"
Soyez sûrs, j'en suis fier, j'ai la Corrèze en cathéter
D'être avec vous ce soir, j'ai le cœur qui pétille
Mimi, sers-nous à boire, on a les yeux qui brillent...

How can I forget this corner of paradise?
This little bit of Earth where my father is still alive
How could I separate myself from her?
Or forget that we're brothers, beautiful carnal Corrèze

Or forget this morning that you're Parisian
That you've got water in wine, that you've left for far away?

It wasn't my fault, we were playing off-key
We made a wrong turning, we had to grieve
We were all playing in a play, we had waves in our soul
You had a sickness in your heart, you had a fear of happiness

To buy paintings and photos of cows
That's all that you've found to remember her

You find me a bit stupid, and don't like my song
You find me strange, a bit patriotic
The fruit of my reflection won't move anybody
If it never rings out around you in my region
It's worse than a religion, beyond a confession
I'd like to die of it, for better and for worse
And if I climb to heaven, perhaps there will be Joël,
Guillaume and Jérémy, and my cousin Piedri
Yoan will be travelling in another country
Go, pack your bags, come join your friends

We want a Clody Musette so we can lose our heads
We want a last Chabrol, a little shot of booze
The eyes of our grandmothers, the voices of our grandfathers
The smell of this earth, seen on the Monédières
It's worse than a last will, beyond a secret
We're young children in this happy corner of France
Bury us alive, gagged if you have to
But take care of us before filling our hat

The standing up is for you, our little Lucas
You inherit the track, we are released
Time has spoiled us, we've profited well from it
We have memories in our head, this evening, let's have a party!

Accept my catchphrase, she just wants to tell you "I love you"
Be sure, I'm proud of it, I've got Corrèze in my catheter
To be with you this evening, I have a sparkling heart
Mimi, serve us a drink, we have shining eyes

Accept my catchphrase, she just wants to tell you "I love you"
Be sure, I'm proud of it, I've got Corrèze in my catheter
To be with you this evening, I have a sparkling heart
Mimi, serve us a drink, we have shining eyes

Thanks to robynetzan on LyricsTranslate.

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Re: France - One song per day.

Post by Romain » Tue Dec 10, 2019 1:40 pm

Next song.

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Re: France - One song per day.

Post by Romain » Tue Dec 10, 2019 1:47 pm

Vox Dei - Terroriste - 1982
Coldwave

Album: De Profundis (RYM: 3.43/5)

Born Bad Record (DeepL translate)
A Parisian group, VOX DEI is initiated by two childhood friends Jacques Bucchi (Guitar) and Guy Brochard (Bass), and for the group's needs, Guy solicits his elder brother Luigi to play the drums. The beginner band is hooked on power pop, and draws its covers from the Jam, Buzzcocks and Undertones repertoire.

At one evening, Luigi bumped into François Deshaye and asked him to give it a try singing in their repet studio of the King of Sicily, which they shared with Artefact. The tests were conclusive and François was hired to become the singer and lyricist of the group. In mid'79, a first track "Refoulé" with a dark text was released. This first inhabited and nihilistic track shakes up the group's markers and decides to continue in this musical direction. Their new songs will be dark and tortured, with the lyrics taking an increasingly important place.

The group, now ready, began to perform at private parties, and in 1979 gave about fifteen concerts in Paris and the Paris suburbs.

At the beginning of the 1980s, four titles were made up, including "Terroriste". The group started looking for a deal, but in vain, accumulating the failed plans and missed appointments. In the spring, they resigned themselves to participating in a springboard whose first prize was the recording of a 45T. The competition is over, as the organisers have informed them in advance that they will be the winners. The group thus recorded two tracks in Switzerland at the expense of the organizers, but the sound engineer proved too directive, the Vox Dei sent him to hell, and returned to Paris empty-handed. The organizers of the springboard, caught off guard, then prefer to cancel the hook radio.

Faced with the accumulation of rotten plans, a certain weariness emerges, and certain divergences, animosities begin to appear within the group. The 2 brothers too often argue to François' liking, who then decided to leave the band, marking the end of VOX DEI.

Despite the split, the spirits having calmed down, Luigi felt it was a shame not to seal the VOX DEI adventure without having left a record. At the beginning of 1981, it was decided to produce a posthumous album entitled "De profundis". The album is recorded on a 4-track track and the boys press 1000 records. A limited edition of 100 copies with a homemade cover, silkscreened in fluorescent orange, represents a woman's sex. NEW ROSE refuses to take the discs from them because of this visual, and VOX DEI makes a new, more consensual cover for the 900 discs they have left.

François then left to found the group NAGAIKA DJINN with former members of the PANORAMA. The other members, for their part, definitively stop the music.

Transcription in progress.

Tu dévores, sans assouvir
Dans le feu et le sang
Tu dévores, sans assouvir
Dans le froid, comme un enfant

Nuit et brouillard
Face au trottoir


Ne m'oublie pas

J'ai un trou dans la tête
Pour regarder par derrière
J'ai un trou dans la tête
Pour regarder à l'envers
A l'envers.
Dans le miroir
Il y a du noir.

Ne m'oublie pas
Ne m'oublie pas...

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Re: France - One song per day.

Post by Romain » Thu Dec 12, 2019 4:23 pm

Next song.

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Re: France - One song per day.

Post by Romain » Thu Dec 12, 2019 4:32 pm

Georges Bizet - Carmen - Habanera - 1875 - Classical

Wikipédia:
Georges Bizet ( French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.

During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.

After the Franco-Prussian War of 1870–1871, during which Bizet served in the National Guard, he had little success with his one-act opera Djamileh, though an orchestral suite derived from his incidental music to Alphonse Daudet's play L'Arlésienne was instantly popular. The production of Bizet's final opera, Carmen, was delayed because of fears that its themes of betrayal and murder would offend audiences. After its premiere on 3 March 1875, Bizet was convinced that the work was a failure; he died of a heart attack three months later, unaware that it would prove a spectacular and enduring success.

Bizet's marriage to Geneviève Halévy was intermittently happy and produced one son. After his death, his work, apart from Carmen, was generally neglected. Manuscripts were given away or lost, and published versions of his works were frequently revised and adapted by other hands. He founded no school and had no obvious disciples or successors. After years of neglect, his works began to be performed more frequently in the 20th century. Later commentators have acclaimed him as a composer of brilliance and originality whose premature death was a significant loss to French musical theatre.

Carmen:
Carmen [kaʁ.mɛn] is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences.

Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias.

The opera is written in the genre of opéra comique with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous torero Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the tragic death of the main character on stage, broke new ground in French opera and were highly controversial.

After the premiere, most reviews were critical, and the French public was generally indifferent. Carmen initially gained its reputation through a series of productions outside France, and was not revived in Paris until 1883. Thereafter, it rapidly acquired popularity at home and abroad. Later commentators have asserted that Carmen forms the bridge between the tradition of opéra comique and the realism or verismo that characterised late 19th-century Italian opera.

The music of Carmen has since been widely acclaimed for brilliance of melody, harmony, atmosphere, and orchestration, and for the skill with which Bizet musically represented the emotions and suffering of his characters. After the composer's death, the score was subject to significant amendment, including the introduction of recitative in place of the original dialogue; there is no standard edition of the opera, and different views exist as to what versions best express Bizet's intentions. The opera has been recorded many times since the first acoustical recording in 1908, and the story has been the subject of many screen and stage adaptations.

Habanera:
Habanera (music or dance of Havana, Spanish: La Habana) is the popular name for "L'amour est un oiseau rebelle" ("Love is a rebellious bird"), an aria from Georges Bizet's 1875 opera Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act. It is based on a descending chromatic scale followed by variants of the same phrase in first the minor and then the major key, corresponding to the vicissitudes of love expressed in the lyrics. Despite the change in mode there is no actual modulation in the aria, and the implied pedal point D is maintained throughout; nevertheless, there is no sense of monotony or stasis. The vocal range covers D4 to F♯5 with a tessitura from D4 to D5.
L'amour est un oiseau rebelle
Que nul ne peut apprivoiser,
Et c'est bien en vain qu'on l'appelle,
S'il lui convient de refuser.
Rien n'y fait, menace ou prière,
L'un parle bien, l'autre se tait,
Et c'est l'autre que je préfère,
Il n'a rien dit, mais il me plaît.

(L'amour est un oiseau rebelle) L'amour !
(Que nul ne peut apprivoiser,) L'amour !
(Et c'est bien en vain qu'on l'appelle,) L'amour !
(S'il lui convient de refuser.) L'amour !

L'amour est enfant de bohème,
Il n'a jamais, jamais connu de loi,
Si tu ne m'aimes pas, je t'aime,
Si je t'aime, prends garde à toi ! (Prends garde à toi !)
Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime ! (Prends garde à toi !)
Mais si je t'aime, si je t'aime,
Prends garde à toi !

(L'amour est enfant de bohème,)
(Il n'a jamais, jamais connu de loi,)
(Si tu ne m'aimes pas, je t'aime,)
(Si je t'aime, prends garde à toi !) (Prends garde à toi !)

Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime ! (Prends garde à toi !)
Mais si je t'aime, si je t'aime,
Prends garde à toi! (Ah, toi !)

L'oiseau que tu croyais surprendre
Battit de l'aile et s'envola,
L'amour est loin, tu peux l'attendre;
Tu ne l'attends plus, il est là !
Tout autour de toi, vite, vite,
Il vient, s'en va, puis il revient,
Tu crois le tenir, il t'évite,
Tu crois l'éviter, il te tient !

(Tout autour de toi, vite, vite,) L'amour !
(Il vient, s'en va, puis il revient,) L'amour !
(Tu crois le tenir, il t'évite,) L'amour !
(Tu crois l'éviter, il te tient !) L'amour !

L'amour est enfant de bohème,
Il n'a jamais, jamais connu de loi,
Si tu ne m'aimes pas, je t'aime,
Si je t'aime, prends garde à toi ! (Prends garde à toi !)
Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime ! (Prends garde à toi !)
Mais si je t'aime, si je t'aime,
Prends garde à toi !

(L'amour est enfant de bohème,)
(Il n'a jamais, jamais connu de loi,)
(Si tu ne m'aimes pas, je t'aime,)
(Si je t'aime, prends garde à toi !) (Prends garde à toi !)

Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime ! (Prends garde à toi !)
Mais si je t'aime, si je t'aime,
Prends garde à toi ! (Ah, toi !)

Love is a rebellious bird
That none can tame,
And it is well in vain that one calls it,
If it suits it to refuse.
Nothing to be done, threat or prayer,
The one talks well, the other is silent,
And it's the other that I prefer,
He said nothing, but he pleases me.

(Love is a rebellious bird) Love!
(That none can tame,) Love!
(And it is well in vain that one calls it,) Love!
(Because it suits it to refuse.) Love!

Love is a gypsy child,
It has never, never known the law,
If you don't love me, I love you,
If I love you, be on your guard! (Be on your guard!)
If you don't love me,
If I love you, be on your guard! (Be on your guard!)
But if I love you, if I love you,
Be on your guard!

(Love is a gypsy child,)
(It has never, never known the law,)
(If you don't love me, I love you,)
(If I love you, be on your guard!) (Be on your guard!)

If you don't love me,
If you don't love me, I love you! (Be on your guard!)
But if I love you, if I love you,
Be on your guard! (On guard!)

The bird you hoped to catch
Beat its wings and flew away,
Love is far, you can wait for it;
You no longer await it, there it is!
All around you, swift, swift,
It comes, goes, then it returns,
You think to hold it fast, it flees you,
You think to flee it, it holds you!

(All around you, swift,) Love!
(It comes, goes, then it returns,) Love!
(You think to hold it fast, it flees you,) Love!
(You think to flee it, it holds you!) Love!

Love is a gypsy child,
It has never, never known the law,
If you don't love me, then I love you,
If I love you, be on your guard! (Be on your guard!)
If you don't love me,
If you don't love me, then I love you! (Be on your guard!)
But if I love you, if I love you,
Be on your guard!

(Love is a gypsy child,)
(It has never, never known the law,)
(If you don't love me, then I love you,)
(If I love you, be on your guard!) (Be on your guard!)

If you don't love me,
If you don't love me, then I love you! (Be on your guard!)
But if I love you, if I love you,
Be on your guard! (On guard!)

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Re: France - One song per day.

Post by Romain » Sun Dec 15, 2019 8:09 am

Next song, an hommage to Anna Karina, who just died today.

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Re: France - One song per day.

Post by Romain » Sun Dec 15, 2019 8:26 am

Anna Karina - Sous le soleil exactement - 1967 - OST

Album: Anna (RYM: 3.53/5)


Anna Karina (born Hanne Karin Bayer, 22 September 1940, d. 15 december 2019) is a Danish-French film actress, director, writer, and singer. She rose to prominence as French New Wave director Jean-Luc Godard's muse in the 1960s, performing in several of his films, including The Little Soldier (1960), A Woman Is a Woman (1961), Vivre sa vie (1962), Band of Outsiders (1964), and Pierrot le Fou and Alphaville (both 1965). For her performance in A Woman Is a Woman, Karina won the Silver Bear Award for Best Actress at the Berlin Film Festival.

In 1972, Karina set up a production company for her directorial debut, Vivre ensemble (1973), which screened in the Critics’ Week lineup at the 26th Cannes Film Festival.[4] She also directed the French-Canadian film Victoria (2008). In addition to her work in cinema, she has worked as a singer, and has written several novels in French.

Karina is widely considered an icon of 1960s cinema. The New York Times has described her as "one of the screen's great beauties and an enduring symbol of the French New Wave."

Music
Karina has also maintained a singing career. At the end of the 1960s, she scored a major hit with "Sous le soleil exactement" and "Roller Girl" by Serge Gainsbourg. Both songs are from the TV musical comedy Anna (1967), by the film director Pierre Koralnik, in which she sings seven songs alongside Gainsbourg and Jean-Claude Brialy. Karina subsequently recorded an album, Une histoire d'amour, with Philippe Katerine, which was followed by a concert tour. In 2005, she released Chansons de films, a collection of songs sung in movies.
Un point précis sous le tropique
Du Capricorne ou du Cancer
Depuis, j’ai oublié lequel
Sous le soleil exactement
Pas à côté, pas n’importe où
Sous le soleil, sous le soleil
Exactement, juste en dessous.

Dans quel pays, dans quel district ?
C’était tout au bord de la mer
Depuis, j’ai oublié laquelle
Sous le soleil exactement
Pas à côté, pas n’importe où
Sous le soleil, sous le soleil
Exactement, juste en dessous

Était-ce le Nouveau-Mexique
Vers le Cap Horn
Vers le Cap Vert
Était-ce sur un archipel ?

Sous le soleil exactement
Pas à côté, pas n’importe où
Sous le soleil, sous le soleil
Exactement, juste en dessous.

C’est sûrement un rêve érotique
Que je me fais les yeux ouverts
Et pourtant si c’était réel ?
Sous le soleil exactement
Pas à côté, pas n’importe où
Sous le soleil, sous le soleil
Exactement juste en dessous.


A precise point under the Tropic
Of Capricorn or of Cancer
Since then, I've forgotten which one
Under the sun, exactly.
Not by the side, not "anywhere"
Under the sun, under the sun
Exactly, right underneath.

In what country, in what district?
Was it on the sea coast
Since then, I've forgotten which
Under the sun, exactly.
Not by the side, not "anywhere"
Under the sun, under sun
Exactly, right underneath.

Was it New Mexico
Towards Cape Horn
Towards Cape Verde
Was it on an archipelago?

Under the sun, exactly.
Not next to it, not "anywhere"
Under the sun, under the sun
Exactly, right underneath.

Surely it must be an erotic dream
That I dream with my eyes open
However, what if it was real?
Under the sun, exactly.
Not by the side, not "anywhere"
Under the sun, under the sun
Exactly, right underneath.

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Re: France - One song per day.

Post by Romain » Mon Dec 16, 2019 8:02 pm

Next song.

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Re: France - One song per day.

Post by Romain » Mon Dec 16, 2019 8:07 pm

Pierre de Bethmann Trio - Indifference - 2015 - Jazz
Jazz

Album: Essais, Vol.1

Wikipédia: (DeepL translate)
Pierre de Bethmann is a French jazz pianist, born on April 21, 1965 in Boulogne-Billancourt.

After completing a preparatory class, he joined the ESCP from which he graduated in 19872.

He started jazz as a self-taught musician.

In 1989, he went to study at the Berklee College of Music in Boston, USA. After one year of studies, he returned to France and became a management consultant.

In 1994, he decided to change his life and devote himself entirely to music, following in particular the advice of Pascal Anquetil and Laurent Cugny. That same year, he attended a master class with Herbie Hancock, during which he particularly impressed the American pianist. Also in 1994, on the advice of Pascal Anquetil, he and his trio Prysm performed at the Concours national de jazz de la Défense, which he won.

He forms the trio (Prysm) with whom he records several albums on the Blue Note label, and plays in various groups such as Moutin Reunion, Pierrick Pédron Quartet, Olivier Ker Ourio Projet, Michael Felberbaum Quartet and also with musicians such as David Liebman, Rick Margitza and Rosario Giuliani.

In 2009, he performed at the Vienna Jazz Festival in a six-piano program composed by Martial Solal, Petit exercice pour cent doigts, with Benjamin Moussay, Franck Avitabile, Franck Amsallem and Manuel Rocheman.

In 2013, he participates in the French Jazz Week at Jazzhus Montmartre in Copenhagen, Denmark, alongside Didier Lockwood and Lionel Belmondo.


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Re: France - One song per day.

Post by Romain » Wed Dec 18, 2019 12:14 pm

Next song.

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Re: France - One song per day.

Post by Romain » Wed Dec 18, 2019 12:21 pm

Vald, Journal perso II - 2019
Hip Hop, Trap

Album: Ce monde est cruel (RYM: 2.61/5)

Wikipédia:
Valentin Le Du (French pronunciation: ​[valɑ̃tɛ̃ lə dy]; born 15 July 1992), better known by his stage name Vald, is a French rapper.

Originating from Aulnay-sous-Bois, in Seine-Saint-Denis district of Île-de-France of a Breton father, he studied at Lycée privé catholique l'Espérance getting a Baccalauréat in the Sciences, then a semester in medicine before moving to Mathematics/Information graduating with a licence. He also studied sound engineering.

He started rapping at age 17 with the mixtapes NQNTMQMQMB (Ni Queue Ni Tête Mais Qui Met Quand Même Bien) in 2012, followed by mixtape Cours de rattrapage the same year. Both were reedited in 2016 in a double CD offered through his site. On 27 October 2014, he released his debut EP NQNT (Ni Queue Ni Tête) with the clip "Bonjour" gaining fame. The follow-up was the EP NQNT 2 on 25 September 2015. On 20 January 2017, he released his studio album Agartha on Mezoued Records & Suther Kane Films, and on Millenium, Capitol, Universal. It was certified platinum. A leak of materials resulted in the EP project NQNT 3. And on 2 February 2018, Vald presented his second album XEU with a number of collaborations with rappers Sirius, Suik'on Blaz AD and Sofiane. It was also certified platinum. This was soon followed by the mixtape NQNT33 in September 2018.

Vald has a son Charles, born 2014 from an earlier relationship.

[Intro]
Page 2, chapitre 2

[Couplet unique]
Ouais, ma vie, c'est le Truman Show, la came tombe du ciel sur la scène
Sourire coincé à la selle, je parle pas, on me fait tout à l’œil
J'viens en retard comme si j'tais à l'heure, j'pardonne pas comme si j'ai des valeurs
Grammaire sur ma liste de malheur, ta grand-mère qui valide le 20 heures
Mais cette vie est belle, je le sais, comme millions euros de recettes
Comme des tourtereaux sur la branche, avant qu'le chômage ne fasse qu'elle ne cède
J'sais qu'il faut du blé pour les t'nir ou attendre la prochaine manche
Non, j'vais pas pleurer devant c'film, j'sais qu'c'est pécher d’être sensible
La peur nous pousse comme des infirmes, trop d'journalistes qui désinforment
Salle de prière désemplie, tous occupés à monter des empires
Avant que j'me désintègre, j'vais m'trouver, j'vais faire la paix
Après, j'vais rouler un teh et fusionner avec le canapé
Ouais, bien sûr que j'ai tout prévu, c'est l'chemin qui compte, pas la fin qui prévaut
Gros, les potos avant les putes, j'vais sauver les hommes avant les veaux
J'vais sauver les miens avant les vôtres, gros, sinon, c'est pas la peine
Mais sauver les siens avant les autres, gros, c'est l'programme des Le Pen
Ouais, populace manipulée, au profit de qui ? Ce n'est pas stipulé
Orphelins violés, désarticulés, les loisirs de la haute sont particuliers
Viens voir la vie qu'on peut pas diffuser, t'sais ? Celle qu'est acidulée
Là où le shit et le SMIC, c'est le max', au-d'ssus, l'esclave serait moins stimulé
Ouais, je sais comment ça se passe, un joint, comment ça se tasse
Une tchoin, comment ça se masse, un cul, comment ça se casse
Donc je sais pourquoi elle veut qu'je repasse, pourquoi elle veut qu'on l'refasse
Pourquoi elle veut qu'on ressasse (tout l'temps), même une minute dans le sas
Ouais, le sexe et l'argent, ça fait tout, j'ai les deux et pourtant, ça fait rien
Ne respire pas mon air, ça m'étouffe, j'veux être libre, le reste, j'm'en bats les reins
Ouais, j'veux être ivre, demain ne compte pas, pourquoi la vie devrait être un combat ?
Hein ? Gros, j'esquive l'œil et l'compas, ainsi qu'les soldats qu'la machine dompta
Ouais, j'conjugue au passé simple, passe-moi l'feu, la lumière va s'éteindre
J'tendrai jamais la patte à ces chiens, pour l'moment, on s'en sort assez bien
Verre à moutarde rempli d'eau, j'prends la pilule rouge comme un antibio'
Je vais m'asseoir en lotus au Tibet et me coiffer comme les reufs en chimio'
Les élites sont des satanistes, de sombres sorciers maîtrisant la magie
Les créateurs et gardiens d'la matrice, à chaque poste de pouvoir, quelqu'un d'la famille
C'est bon pour l'bénéf' si c'est la panique, c'est bon pour l'bénéf' si c'est la famine
C'est bon pour l'bénéf' de ruiner l'Afrique, c'est bon pour l'bénéf' d'asservir l'Asie
Ouais, ce monde est cruel à souhait, les mentalités sont baisées as fuck
J'vais nous venger, les baiser I swear, même si le mal par le mal, c'est pas top
Ou bien j'oublie tout et j'ouvre mon laptop, j'fais navig' privée, je cherche "gangbang hardcore"
Là, j'me branle à mort en attendant la mort, devant l'amour de ceux qui n'font qu'un corps

[Intro]
Page 2, Chapter 2

[Unique verse]
Yeah, my life is the Truman Show, the dope falls from the sky on the stage
Smile stuck to the saddle, I don't talk, I get everything done for free
I come late like I'm on time, I don't forgive like I have moral standards
Grammar on my misfortune list, your grandmother validating the news
But this life is beautiful, I know it, as millions of euros of revenue
Like lovebirds on the branch, before unemployment makes it break
I know it takes dough to hold them or wait until the next round
No, I'm not gonna cry over this movie, I know it's a sin to be sensitive
Fear drives us like cripples, too many journalists who misinform
Emptied prayer room, all busy building empires
Before I disintegrate, I'll find myself, I'll make peace
Then I'm gonna smoke a spliff and merge with the couch
Yeah, of course I planned it all, it's the path that counts, not the end that prevails
Bro, buddies before sluts, I'm going to save men before sheeps
I'm gonna save my people before yours, man, otherwise it's not worth it
But saving his own before the other ones, bro, is Le Pen's program
Yeah, manipulated crowd, for whose benefit? It is not said
Orphans raped, disarticulated, the leisure activities of the upper classes are peculiar
Come see the life that can't be broadcast, you know? The one that is like an acid drop
Where weed and minimum wage are the maximum, beyond that, the slave would be less stimulated
Yeah, I know how it goes, a joint, how it goes down
An hoe, how to massage, an ass, how to break it
So I know why she wants me to come back, why she wants us to do it again
Why she wants us to go over it again (all the time), even for a minute in the airlock
Yeah, sex and money is everything, I have both and yet it does nothing
Don't breathe my air, it's suffocating me, I want to be free, the rest I don't give a shit
Yeah, I want to get drunk, tomorrow doesn't count, why should life be a struggle?
Huh? Dawg, I duck the eye and the compass, as well as the soldiers that the machine tamed
Yeah, I conjugate past perfect, give me the fire, the light will go out
I'll never shake paws with these dogs, for now, we're doing pretty well
Bubble glass filled with water, I take the red pill like an antibiotic
I'm going to sit in a lotus in Tibet and do my hair like brothers in chemo
The elites are Satanists, dark sorcerers who master magic
The creators and guardians of the matrix, in each position of power, someone from the family
It's good for business if it's panic, it's good for business if it's famine
It's good for business to ruin Africa, it's good for business of enslaving Asia
Yeah, this world is cruel as hell, mentalities are fucked as fuck
I'm gonna avenge us, fuck them I swear, even if fighting fire with fire isn't great
Or forget everything and open my laptop, navigate privately, look for "hardcore gangbang"
Now I masturbate to death waiting for death, in front of the love of those whose bodies are as one

Thansk to Jethro Paris on LyricsTranslate.

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Re: France - One song per day.

Post by Romain » Thu Dec 19, 2019 3:34 pm

Next song : another '60s chanteur who disappears.

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Re: France - One song per day.

Post by Romain » Thu Dec 19, 2019 3:41 pm

Alain Barrière - Ma vie - 1964
Chanson

Wikipédia:
Alain Barrière (born Alain Bellec; 18 November 1935 – 18 December 2019) was a Breton-French singer, who was active from the 1950s until his death and was known for participating in the 1963 Eurovision Song Contest.

After growing up in a small town on the coast of Brittany, in 1955 Barrière enrolled in the École nationale supérieure d'arts et métiers in Angers. As a student he bought a guitar and started to write songs. After graduating in engineering in 1960, he moved to Paris to take up employment, and started to perform in the evenings at small clubs around the capital. He won a song contest in 1961 with the self-penned song "Cathy"; his style was chanson-based with no concession to the burgeoning yé-yé scene, but nonetheless he was soon signed to a recording contract and started to release singles regularly, enabling him to give up his job and make at least a modest living from music.

In 1963, Barrière's song "Elle était si jolie" ("She Was So Pretty") was chosen as the French representative in the eighth Eurovision Song Contest which took place on 23 March in London. "Elle était si jolie" finished fifth of 16 entries.
"Elle était si jolie" turned out to be by far the biggest seller of Barrière's career to that point. He released his first album, Ma vie, in 1964 and the title-track became a huge hit. In 1965 he was offered, and accepted, a leading role in a heist thriller, Pas de panique, alongside Pierre Brasseur. This would be his only venture into acting, but his singing career reached its peak in the latter part of the decade with a string of hits making him one of France's biggest stars and a sell-out live attraction.

Barrière had gained a reputation for being uncompromising and at times difficult to work with. In the early 1970s he left his record company to set up his own label. He kept his fanbase, which ensured his records and concerts continued to provide a good living, despite his being overlooked by sections of the French broadcast media. "Tu t'en vas", a 1975 duet with fellow Eurovision veteran Noëlle Cordier, topped the French chart, and was the third biggest-selling single of the year in Switzerland.

Barrière married in 1975, and he and his wife opened a nightclub-restaurant in a converted castle in Brittany. Although it proved a successful and popular venue, Barrière soon found himself facing severe tax problems as a result of dubious advice. In 1977 he took his family to the United States, where they remained for four years.

After returning to France, Barrière made several comeback attempts, to little avail. After another period spent overseas, this time in Quebec, the family were back in Brittany when Barrière's career was unexpectedly rejuvenated by the 1997 release of a CD containing remastered versions of his old hits, which proved to be a money-spinner. Shortly afterwards, Barrière released an album of new material, which also sold well.

He published an autobiography in 2006 and continues to release both retrospective and newly recorded albums.

Barrière died of cardiac arrest on 18 December 2019 at the age of 84.

Ma vie
J'en ai vu des amants
Ma vie
L'amour ça fout le camp
Je sais
On dit que ça revient
Ma vie
Mais c'est long le chemin

Ma vie
J'en ai lu des toujours
Ma vie
J'en ai vu de beaux jours
Je sais
Et j'y reviens toujours
Je sais
Je crois trop en l'amour

Ma vie
J'en ai vu des amants
Ma vie
L'amour ça fout le camp
Je sais
On dit que ça revient
Ma vie
Mais c'est long le chemin

Ma vie
Qu'il est long le chemin !

My life
I've seen so many lovers
My life
Love doesn't stick around
I know
They say it comes back
My life
But the path is a long one

My life
I've read 'forever' so many times
My life
I've seen so many beautiful days
I know
And I always get back to it
I know
I have too much faith in love

My life
I've seen so many lovers
My life
Love doesn't stick around
I know
They say it comes back
My life
But the path is a long one

My life
The path is so long!

Thanks to Maëlstrom on LyricsTranslate.

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Re: France - One song per day.

Post by Romain » Sun Dec 22, 2019 4:18 pm

Next song.

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